Hot off the press, my portrait of Glen Whitney, the Director of the Museum of Mathematics, is in this month’s edition of Smithsonian Magazine. I went down to DC a while ago and saw Molly Roberts…the Photo Editor at Smithsonian…and she said it would be perfect for a new feature section they were starting that profiled “Big Ideas”.
Remember Zero 7…??? Of course you do…who didn’t have the album Simple Things on the top of their iTunes list when it came out?!! It practically defined the entire Chillout genre of music. As luck would have it, Sia got crazy famous because of ‘Destiny’, but for some reason the same didn’t happen to Sophie Barker who sang lead on ‘In The Waiting Line’. But Sophie’s had three solo albums of her own material, the latest…Seagull…was released in the UK late last year, and even though you can pick it up on iTunes, it hasn’t had any kind of publicity over here. However…since ‘Say Goodbye’ has been dropped on a bunch of music blogs recently…it showed up in my email box this morning…I’m thinkin’ it’s about to get a stateside release soon. You can follow Sophie on her website or over on facebook
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Over the past few weeks you didn’t have to look too far to find an online review claiming how spectacular the new Photoshop CS6 upgrade is and how it’s gonna make everything you photograph so much better…but all I could think was no matter how easy the software engineers at Adobe make image editing by adding fancy new filters, content-aware tools or sexed-up widgets, none of that amounts to beans if you don’t have the smarts to envision the final result in that pile of mush that occupies the space between your ears. And it reminded me how I recently had to put some of my Photoshop smarts to good use and ‘fix’ a less than ideal situation when I was shooting the Annual Report for Philadelphia-based Glenmede…using Photoshop CS3, no less…
I had gone down to Philly a few weeks before the shoot to scout the location…Lenfest Hall at The Curtis Institute of Music…and on the day of the scout it was bright and sunny and would give us the perfect light & airy backdrop for the Management Committee photograph…
Problem was, on the day of the shoot, those 30-foot high windows gave us a view of Philly at it’s darkest and rainiest…
That’s when it became pretty clear I had to figure a way to let Photoshop brighten things up and get me to where I needed to be.
Here is the unretouched original, straight out of the camera…
The first thing I did was slide a new floor under everyone that was shot separately using a 16-second exposure…
For the next step, I figured the hardest thing I would hafta do would be to blow out all the detail in the windows to give the impression of it being a sunny day…but then things even got more interesting…the layout changed! My client wanted to know if it would be possible to give them more space on both sides of the group. Now this wasn’t something I had planned for, but if James Cameron can make the Titanic come to life I guess there had to be a way to generate a whole mess of information that didn’t exist…right?!!
I had some empty frames I shot after everyone had gone that I could use to clone the wood trim under the windows, but the real test would be adding perspective-correct banks of windows on both sides of the frame…that had me working well after midnight. Then I had to fake the entire right side of the piano, remove the rolling wheels under the piano, erase the clock and lighting panels from the back wall, and then turn on the sunbeams, add a little overexposure flare and brighten up those windows…
For the final step, I adjusted the color balance, heightened the Curves and Levels, and amped up the contrast with a High Pass Filter layer…
To see a larger version of the animated GIF at the top of the post that shows all the steps, click HERE
Fort Atlantic is Jon Black, and Jon Black is pretty Goddamned amazing. His musical style, lyrical phrasing and voice is eerily reminiscent of Jackson Browne, with a little bit of an upbeat Jeff Tweedy thing thrown in for some Indie cred. I was introduced to Mr. Black via my regular email blast from Noisetrade, one of the better sites I subscribe to for new music. Artists can upload an album, EP, single, or live recording to distribute it completely free (tipping gladly accepted and encouraged by yours truly). Fort Atlantic is set to release their first album May 29th, but to get you interested they’re offering a 5-song EP that is quite a revelation. The first time I listened to the anthemic ‘No One Will Know’, with its surging drumbeat and pleading harmonies, it raised the hairs on my neck…
I think I have made up my mind
I think there are places that we need to go just to find…
Black has spent the past three years in his DIY home studio working on the songs that make up his debut album. When he finished recording last November, he packed up the tapes and travelled to New York to have Grammy-winning producer Tom Schick (who coincidentally has spun the knobs for Tweedy and Wilco) handle the final mix. When they were done, Schick said…
“The songs on this record are instant classics. Jon has an impressive voice and crafts beautiful songs with many great twists and turns. I love this record”.
He was right…after listening to the five tracks on the EP you come away with a warm, comforting feeling…almost like you’ve known these songs your whole life. I love this record.
You must get this EP. Head over to Noisetrade for the free download…and if you like it like I know you will, throw him a tip! Then tell all of your friends. Then visit his facebook page and LIKE him…..you’re welcome!
Sarah Jaffe has come a long way since she was last on The List back in 2010 with ‘Clementine’. On her new album, The Body Wins, the folky rhythms and mournful lyrics from that first record have been replaced with fuzzy sampled percussive beats, electronic pianos, upbeat melodies and a much more pop-centric feel to her songwriting. Gone too is her earthy, slacker image that featured a mish-mosh of hoodies, plaid shirts and knit caps. Judging from the cover of The Body Wins where she sports a new razor-cut hairstyle and almost military-like fashion, I’d say Sarah has been put through the record company makeover machine. But if the marketing guys thought getting a haircut was necessary to get noticed, it must be working ‘cuz even Jon Pareles of The NY Times reviewed her album yesterday. For an indie artist, that’s kinda huge. And judging from what he wrote, I’d say we’re both fans of her new sound.
No, you’re not listening to a long-lost Simon & Garfunkel single…this is Paul Simon’s son, Harper Simon, and if not for me clearing out some of the stuff taking up space on my DVR last night, I would probably have never heard this. It played as the credits rolled on the first episode of the new HBO series, ‘Girls’, and if you’ve seen the show (and you’re like me) then you probably can’t imagine a more perfect song to encapsulate the characters and themes…
Everyone seems so certain
Everyone knows who they are
Everyone’s got a mother and a father
They all seem so sure they’re going far
They all got more friends than they can use
Except me ‘cause I’m a fool…
The show, by the way, is excellent! Writer/Director/Creator/Voice-of-her-Generation Lena Dunham’s super-smart look at four twenty-something girls trying to make their way in the World is peppered with dialogue that flows like a hipster mash-up of a David Mamet play and a Whit Stillman movie. And is it coincidence or by clever design that Mamet’s daughter Zosia plays one of Dunham’s girlfriends and Stillman regular Chris Eigeman plays her boss? I dunno…just watch it!
But back to the song…which was chosen by the show’s music director Michael Penn…it’s off of Simon’s self-titled debut that features some serious bold-faced indie friends…Aaron Espinoza of Earlimart, Yuka Honda of Cibo Matto, Sean Lennon, Joan (As Police Woman) Wasser and the amazing violinist Petra Haden. Oh yeah, he also called upon Steve Nieve whose day job is Elvis Costello’s keyboardist in the Attractions, percussion superstar Steve Gadd and of course, his Dad. Finally, if all that talent wasn’t enough, he got Tom Rothrock to twiddle the knobs and mix the final product. How he Hell did I miss this album when it was released?!!
So your assignment is to watch ‘Girls’ on Sunday nights and check out more of Harper Simon at his website!
Laura Burhenn and the Omaha-based Mynabirds are back with their second album, Generals, due out June 5th, and she’s giving away the title track…a percussion-heavy, anthemic foot-stomper that was good enough to get me out the the serious Song of the Day drought I’ve been in! In this song, Laura sounds kinda pissed off with the way a few politicians have been trying to step on the rights of hard-working girls out there lately…
Calling all my generals
My daughters, my revolutionaires
We’ve got strength in numbers
And they’re going to pay for it…
Word is Generals is a concept album that’s allowing her to exercise her political frustration and was named after the Richard Avedon photo “Generals of the Daughters of the American Revolution”, and she wants all you gals you strap on your ‘black boots’ and ‘war paint’ and don’t let anybody tell you that you don’t count…Amen! You can check out The Mynabirds on their website and for all you locals, they’ll be in New York June 22nd at The Mercury Lounge.
Hot on the heels of last week’s announcement that Leica plans to market a camera directly at Hedge Fund Managers…the All-White, $32,000 M9-P…the guys at Hasselblad must have figured that the market for ridiculously overpriced (and stupid) cameras is probably gaining traction again, cuz in my email box this morning was an announcement heralding a new “dedicated online site for the H4D Ferrari Limited Edition”, where prospective idiots buyers can, “…put themselves behind the wheel and to have a virtual test drive of a model that will only ever be owned by 499 photographers worldwide…”
What. The. Fuck.
OK…..I’m figuring that since this tarted-up whore of an HD4-40 was announced back in 2010, the branding geniuses who hatched this debacle are probably still up to their necks in the majority of the 499 HD4′s they ruined by slapping some glossy red paint and a Prancing Horse Logo onto the thing, but now they’re thinking, if Leica can sell a $9000.00 camera for $32 Grand, then we sure as Hell can charge $10 Grand for a Pimp-My-Ride-Style paint job on a $20,000 camera! So they put up a couple of new pages on their website, send out some emails to ‘re-introduce’ us all to this truly special bit of fluff, and hope for the best…’cuz if they don’t sell all 499 of these white red elephants (499 x $30K = $15 million) then it’s their ass!!!
Now, to be fair, the H4D Ferrari Limited Edition does come in an exclusive hand-made, carbon-fibery looking, glass topped case…surely to mimic same feeling you get when gazing upon the 562 Horses beneath the glass engine cover on your Ferrari 458 Italia…and Dr. Larry Hansen, the Chairman and CEO of Hasselblad, even slips in a hand-signed personal ‘Welcome Letter’, and that undoubtedly will make you feel extra-special important…
But I have to wonder…will the H4D Ferrari Limited Edition share any of the other traits and foibles Ferrari owners have a love/hate relationship with?!! Like the constant and expensive need of regular tune-ups, and will parts for the Limited Edition be equally overpriced, befitting a camera of such vaulted status??? Or, like the Ferrari which will only run on the finest hi-test fuel money can buy, will this Limited Edition H4D only take photos of ‘special’ subjects?!! You wanna shoot Supermodels and Arab Sheiks, okie-dokie, but try to use the thing for a day of High School Senior photos and it’ll seize up like you put sugar in its tank!!!
But maybe I’m wrong…maybe just knowing you own something only 498 other morons cloud-dwellers will possess will push your photography to previously unknown heights of excellence! I dunno…but one thing is for sure…I really would like that fancy velvet marble bag to keep my camera in…
SXSW starts this week, and Bird Call is heading down to Austin to play a whole mess of dates, so I figured that since the festival has morphed from being just a week-long Indie music show into a multi-media-mega-extravaganza, today’s post would mimic that sentiment by including music, photos and yet another these stop-action jpeg movies I find myself playing with when I got nothin’ else to do.
A few months back, we were out at the Brooklyn World Headquarters of Bird Call Music and mindful of the low-budget, Indie-Music, keep-it-simple aspect to the shoot, we turned a very tiny white room into a photo studio for Chiara Angelicola’s new record, using nothing but four do-it-yourself lights and a bit of ingenuity.
Here’s a little behind-the-scenes of what we did and some of the resulting final images…
We started with nothing but some sheer drapes covering a sunlit window and a piano dropped in front of it…
…in a very small room (thank God for wide-angle lenses!). We added a couple of my DIY ‘Ghetto-Flo’ florescent strip lights as backlight skims, but decided to use no front light at all, just overexposed the living daylights outta the thing to let the background blow out and see where that took us…
Not bad at all, even if GiGi looks kinda bored…
Chiara getting beautified…
…and standing in…
Some last minute touch-ups…Lovin’ the Horns!…
And away we go…
The final resulting images…..
Next, we pulled out the piano and added a couple of front lights…
…and Chiara jumped around in a cool stripy dress with a pork-pie hat!
Paula Lerner died Monday. While I knew that she had been fighting cancer for a long time, the news still cut to my core. Paula was truly one of most genuinely special people you could hope to meet. I first got to know her during the early beginnings of the Editorial Photographers trade association. As its first Vice President, I got to see first-hand what a tenacious fighter she could be. Since she was based out of Boston, for the most part, ours was an email and phone friendship, but every year she would be there for the post-Photo Expo dinner that Michael Grecco and I host, and I can still feel the warm, strong hug she would wrap around me on her arrival…and the even bigger embrace when she said her goodbyes.
To her husband Thomas, and her daughters, Maia and Eliana…I am so sorry for your loss.
This morning, Brendan Brown and I hiked around some of the more photogenic parts of the North Side of Brooklyn lookin’ for a place to shoot his band, Wheatus, for their upcoming tour. That’s all I’m gonna say for now…you’ll see the resulting shoot soon enough…
Today on The List we prove once more that everything old is new again. Fuzzy dueling guitars with whammy bars, echo, reverb, some honky-tonk piano and even a Goddamn cowbell…welcome to the 70′s, kids!!! Zeus are four guys from Toronto that obviously have prayed at the alter of Grand Funk Railroad, and their second album, Busting Visions, will be released next month. Besides making friends on Facebook, you can check out more of Zeus on their website, and for you New Yorkers, they’re playing The Mercury Lounge Thursday night (2/23/12).
Back in the day, one of the guys I assisted quite a bit was Tony Costa, an L.A.-based celebrity photographer who was always coming to New York to shoot for People Magazine. He called me up and said we were gonna be shooting Cissy Houston’s daughter who was getting a lot of notices because she had been recording with Jermaine Jackson. It wasn’t a big deal shoot…just a quick couple of rolls of B&W on seamless in a cheapie midtown rental studio for a one-paragraph mention in the magazine…and then Whitney showed up with a couple of dresses she borrowed for the shoot. No entourage, not even a hair and makeup artist…just a shy 21 year-old girl who was terrified cuz she was gonna be in People magazine. Tony and I were floored! Then she tells us she’s got an album coming out soon and she was signed by Wilhelmina to model and suddenly our quickie shoot had me running out to buy more film cuz we ran out after ten minutes!
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Maggie Soladay, Photo Editor at American Lawyer, recently sent me down to Washington to photograph Bob Amsterdam, an international lawyer whose clients include Russian oligarchs, South American political prisoners and billionaire Thai politicians. His biography reads like Robert Ludlum spy novel, and I’ll admit that I kinda went into this one with the idea of doing some dark and shadowy images. Problem was, we could only shoot him at his hotel in D.C….in between meetings…and the hotel said there were only a few areas available to use. Let the fun begin!
After a very quick location scout, we decided that one of the restaurants would serve our purposes. Against one wall was a framed tile art piece that sort of reminded me of the movie poster of ‘Midnight In The Garden Of Good And Evil’…
…which after a bit of Photoshop magic looked like this…
Right around the corner was a white-washed paneled wall that provided a simple background for a second portrait…
…and that became the opener for the story…
But I wasn’t quite done yet. Right outside the restaurant was a staircase leading to the hotel’s courtyard. Despite the bitter temperature and rainy day, this fit the dark, forbidding idea I had in my head of this international man of mystery skulking in the shadows, and it helped that it was also shielded from the rain! I convinced Bob to stick around for just a bit longer, and Kaz and I quickly pulled some lights outside…
Nice, but not exactly what I had in mind. After dialing the color temperature down, Photoshopping all those leaves off of the stairs and doing some digital masonry by ‘bricking over’ the distracting area at the top of the stairs, this was our final image…
Three distinctly different portraits in half an hour, and then back on the turnpike to New York!