Suite Judy Blue Eyes

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Judy Collins…!!!

When Ronnie Weil called and offered me this one, all I could say was, “Wow!”. For five decades…my entire life…she’s been making music…beautiful music. Now Judy is recording a new CD that is tentatively titled “Duets with Guys”, an album that will feature her signing with Jeff Bridges, Jimmy Buffett, Don McLean and Kris Kristofferson, and Alexandra Wolfe was writing a profile on her for the Wall Street Journal. Here is how our day went…

Kaz sitting in for our first shot…

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Ms. Collins in the makeup chair…

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And our shooting day begins…

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We also had a Journal video crew following us around…

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Here are a couple of final images…

Judy Collins

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For the next setup, I wanted to do something dark & dramatic, and more etherial. And while it doesn’t look like much with Kaz in place…

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…once Judy stepped on set, things got dialed in pretty fast…

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Judy Collins

…and our final image…

Judy Collins

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As a little bonus, follow the link below for Ali Wolfe’s interview with Judy…

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…as well as some more behind-the-scenes from our shoot:

Judy Collins Interview & Behind-the-Scenes footage

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Playing High-Stakes Chess With The Smartest Guys In The Room

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When January rolls around, one thing you can always count on is that I’ll be packing up 1000 pounds of gear and heading to The Harvard Club to shoot the Barron’s Roundtable. This year, Adrian Delucca and I worked up a few ideas based on the game of Chess. Here were Adrian’s chicken scratches that led to our cover shoot…

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This year we would be publishing three covers in January, and the usual mid-year cover in June, so we had to set up three different lighting setups in the very tight quarters of the Presidents Room at the Harvard Club…

The main setup for the Week One cover and opener…

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…the Chess Table set for the Week Two & Three covers…

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…and third area for the mid-year portraits…

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As usual, we would start shooting the ten Roundtable members separately as they began arriving at 8:00AM, and we had to be finished everything when the meeting began…at 10:00AM! That meant we had to shoot each person in enough different situations for three covers and three openers as well as individual portraits of each for the midyear issue…all in two hours. And we also had to convey exactly what we needed each person to do since they wouldn’t be posing with anyone but themselves and everything would be put together in post! They’re given no advance warning of what we’ve cooked up for them until they arrive.

That kinda thing is hard enough to pull off when you’re dealing with professional models, but when you’ve only got 5 or 6 minutes with a financial expert, getting him to instantly channel his inner actor is a wee bit harder…

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With our Roundtable members safely in the bag, now I got to spend the next three days locked in front of my computer. I had already spent a day shooting a Chess Board & Pieces for our base cover image…

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Now came adding the human chess pieces…

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And after a considerable amount of Photoshop work, the final cover image looked like this…

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Next up was the opening image…

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And the final image…

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Finally, I had to put together two different chess playing situations…from two different angles…for the Week Two and Week Three issues. This was our high-angle test shot (you can see the low angle tripod at the bottom of the frame)…

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What would be so easy if we could just shoot it as one photo becomes a very complicated puzzle when you hafta shoot everyone separately while trying to keep track of who you’ve already shot and in what position…

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These are the two final images…

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Now on to the low angle…

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Man…am I ever tired…….

And Now For Something Completely Different: John Cleese

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Even considering that I’ve had the good fortune to photograph some pretty impressive people over the years, when Ronnie Weil called from the Wall Street Journal and offered up John Cleese, it really knocked the wind outta me. People toss around the word ‘iconic’ a lot, but John Cleese is a true ICON. What he and the rest of the Pythons did to comedy in the early 70’s forever changed how people laughed. He is a manic genius who…to quote a famous Monty Python sketch…is a true master of sarcasm…dramatic irony, metaphor, pathos, puns, parody, litotes and satire!

And I was getting 15 minutes with him…

Mr. Fawlty was in New York as part of a tour to promote his new book, “So Anyway”, and we met him in a midtown hotel where we set up two situations in a room slightly smaller than an average walk-in closet…

For our first shot, I wanted to do a tight portrait…just his face…to capture a range of expressions…

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We started with just a gridded Profoto beauty dish on the grey seamless…

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…then added a 4′ x 6′ Chimera over my shoulder for fill and a small strip light on the background for separation…

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But something didn’t look right…the 80mm lens perspective was a bit uninteresting…so we swapped it for the 150mm…

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Much better…now just add one Python…

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…and let the rat-faced fun begin!

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I began calling out various characters of his and sketches he was known for and he immediately knew where to take it…

John Cleese - November 4th, 2014 New York City

John Cleese - November 4th, 2014 New York City

John Cleese - November 4th, 2014 New York City

John Cleese - November 4th, 2014 New York City

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And because we had a wealth of great expressions, I made the suggestion that we do a montage of them. Here is how it ran in the Journal…

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Then we turned 45 degrees to the left and played around with some 3/4 shots…

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It was like shooting fish in a barrel…

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John Cleese - November 4th, 2014 New York City

John Cleese - November 4th, 2014 New York City

John Cleese - November 4th, 2014 New York City

John Cleese - November 4th, 2014 New York City

Then he started doin’ this…

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John Cleese - November 4th, 2014 New York City

John Cleese - November 4th, 2014 New York City

…and like that, our 15 minutes were up. But I had a fantastic time with an honest-to-God ICONand checked off one more Bucket List item!

John Cleese - November 4th, 2014 New York City

John Cleese - November 4th, 2014 New York City

Enrico Ferorelli

Enrico Ferorelli

Enrico Ferorelli…my friend, my mentor and one of the smartest and sweetest men I’ve ever known…died this morning.

I worked as his assistant from 1983 through 1987. We traveled the World shooting Kings, Presidents, Athletes, Musicians, Scientists and Celebrities. Enrico, more than any other photographer I worked with, made me the photographer…and man…I am today.

I am lost. And I will miss him forever.

Joking Around With Seth Meyers

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I’ve had a pretty good run of celebrity shoots lately…Frankie Valli, Ricky Gervais, Tony Bennett, Spike Lee, Willem Dafoe…and I’m trying my best to catch up on the behind-the-scenes on most of them. This shoot with Seth Meyers was actually shot back in February, but it just published a few weeks ago in the latest issue of Amtrak’s ‘Arrive’ magazine. Rob Smith…Arrive’s Art director and one of my oldest friends…had a few thoughts on what he wanted to do with the shoot, and I had a couple of ideas as well, so we drove out to Queens where all the prop warehouses have moved to see if anything got us going…

Since Seth was the Head Writer at SNL, we both stopped when we came across these old desks and typewriters…

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Next, we brainstormed a few shots based on the idea that Seth was not only moving from Saturday Night Live to the Late Night program, but when the story was scheduled to run Seth was supposed to be taking the show on the road. Moving his stuff in a little red wagon just made sense…

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With the van full of dusty old props, we headed down to Bathhouse Studios…truly one of the nicest places you can shoot at in all Manhattan…and got to work…

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Unlike the low-key shoot with Willem Dafoe last week, this time the studio was filled with multiple stylists, make-up and hair people, and more NBC publicists than I’ve ever seen gathered in one place!

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And I know it might not look like much in these BTS photos…but dropping Seth into that precisely focussed spot of light against the cyc background created just the right amount of drama…it was all about Seth going out on his own…

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Here are some of the final selects…

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Seth Meyers

Seth Meyers

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Now where did we put that red wagon…

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By the way…for all you lighting geeks out there…I am seriously loving the Rime Lite deep octas…as long as you know a bit about lighting, they’ll give you everything you expect out of a Broncolor Para, but for less than one-tenth the price!

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Seth Meyers

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And since a lot of people figured that Seth taking on Late Night was a bit of a leap…

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…I thought having him stepping into the unknown kind of worked the metaphor nicely…

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Seth Meyers

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Next, we moved on to our cover setup…

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Seth Meyers

…which gave us both our cover and a pulled-back shot for the table of contents page…

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Seth Meyers

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Seth Meyers

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So thanks to the huge team it took to pull this off and make things come off so smoothly, but especially thanks to Seth for giving up his time and being such a good sport!

Seth Meyers

Rick Masters + Jesus + Sgt. Elias = Willem Dafoe

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As a young photographer, I had this very dreamy, romanticized idea of what it must be like to shoot celebrities. One of my early photography idols was Bert Stern, and I just figured every shoot with a celebrity might end up like his famous session with Marilyn Monroe where they locked themselves in a suite at the Bel-Air Hotel for three days with a case of ’53 Dom Perignon, a couple of cameras and a few props, and emerged totally spent but with a collection of amazing photographs. But I moved to New York a couple of decades later…just about the time when shoots like that were becoming increasingly controlled by managers, publicists, agents and the studio P/R machine. Ideas had to be pre-approved and even then it didn’t mean you would get to do them. And three days? More like five minutes after your writer got to ask his five questions, thank you very much! But if you’re smart you learn how to work the angles, you keep a few tricks up your sleeve when you don’t have the cooperation you had hoped for, and occasionally, you get lucky…

Ronnie Weil called me at 5:00PM on a Thursday and asked if I would be available the next morning to shoot Willem Dafoe for the Wall Street Journal’s ‘Weekend Confidential’ section. His new film, “A Most Wanted Man”, was coming out in a week and they were given a last-minute opportunity interview him. Now I don’t know about you, but there are very few actors that I can remember from the first moment I saw them on screen, and Willem Dafoe is one of them. His performance as the slick criminal Rick Masters in “To Live and Die in L.A.” burned into my brain. I immediately knew this was a seriously great actor. So yes…of course…just tell me where and when and I’ll be there with a big grin on my face…

The Journal likes the portraits for the ‘Weekend Confidential’ section to be all about the personality, and not prop or location-driven, and so we typically keep things very simple…seamless backdrops or locations that don’t distract from the subject. And it’s not a fashion show, either. What you bring with you is what we shoot. Willem arrived…early, I might add…alone and ready to go. He was wearing black jeans, a black t-shirt and a wonderfully disarming smile. After a few minutes of me heaping gobs of fanboy praise on him and a little light grooming, we were ready to go…

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(Groomer Amy Komorowski)

Willem Dafoe was made to be photographed. He has one of the most expressive faces in the business…whether he’s playing a silent film Vampire (Max Schreck in “Shadow of the Vampire”), a Viet Nam-era Marine (Sergeant Elias in “Platoon”), a cartoon character arch-villain (the Green Goblin in “Spider-Man”) or Jesus Christ himself (“The Last Temptation of Christ”)…and I wanted my portraits of him had to capture the depth he conveys through the characters he portrays. I had a few ideas I wanted to try…and we were told Willem would give us about an hour…so here is how it went…

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I started this first setup as a 3/4 body shot, but allowed myself to move in and out as his poses and mood changed…

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William Dafoe

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Then we sat down and came in for a tight series of darker, more intimate portraits…

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Now, I was already thrilled with what we had done and that Willem had given us so much time, but I kind of liked the white brick wall in the studio, so I asked him for a few more minutes to put up a fresnel spotlight and play around with the shadows…

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William Dafoe

William Dafoe

In the end, the Journal chose one of my favorites for the article…

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…and once again, I find myself surprised at how lucky I am to be able to do what I do…

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Going Ninja With The Impractical Jokers For The Cover Of Resource Magazine

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I had the privilege to be asked by Alexandra Niki and Aurelie Jezequel…the team behind Resource Magazine…to photograph their very first ‘Celebrity’ cover, featuring Brian “Q” Quinn, James “Murr” Murray, Joseph “Joe” Gatto and Salvatore “Sal” Vulcano, better known as The Tenderloins, but who are also the stars of truTV’s The Impractical Jokers. The Jokers…in case you didn’t know…is a practical-joke reality show where the four guys coerce one another into doing public pranks while being filmed by hidden cameras. For the cover theme, Alex and Aurelie wanted to use Sun-tzu’s, “The Art Of War” for our inspiration, with the Jokers dressed as Ninja Warriors, and I was happy to pull it all together…

Aside from using a ridiculously expensive Broncolor Para 220 as a main light, the cover setup was pretty simple…

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Alex and Aurelie wanted a very high contrast, red & black look for the shot, and I had an idea for the cover that was centered around the original Charlie’s Angels logo…

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Not quite…

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Closer…

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Bingo!

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…and the final cover image…

Impractical Jokers

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Next, for the opener to the story, we wanted to do a ‘reveal’ where they tore off their Black Ninja Suits to show their Black Hipster Suits underneath…

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And after a bit of Photoshoppery…

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Now came some ‘Hidden Camera’ goofs, with each of the guys hamming it up with a few not-so-hidden camera props…

“Q” the Ping Pong Pro…

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Murr and his Monkey…

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Joe the Big Gulp Cowboy…

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And Sal with a drippy ice cream cone and ‘Battle’, the GoPro-enabled Chihuahua…

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We finished things off with a few more hidden camera pranks, with the guys in their signature suits…

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Impractical Jokers

Impractical Jokers

Impractical Jokers

And finally, here’s a little behind-the-scenes video shot by Resource’s Adam Sherwin that wraps up the day nicely…

Oh yeah…Alex wanted to play Ninja, too!

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