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Jim Grant, the publisher of Grant’s Interest Rate Observer, is one of Wall Streets greatest critics, and Adrian Delucca had me head downtown to shoot him for a recent Barron’s feature. Jim’s office was pretty small, but an institutional yellow wall behind a doorway…
…and his wall of books…
…gave me what I needed for a couple of nice portraits…
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would be fun to hear your lighting techniques for the images…
Well…since you asked…
The shot on the yellow wall is pretty straightforward…a 20″ Profoto Beauty dish with a grid is camera left, up kinda high and skimming past him, and there is a gobo making that shadow on the left side of the frame. The only other light is a ringlight about a stop and a half under for fill. The portrait against the books is another story. At camera left is a 6′ Elinchrom Octalite with the upper half open (diffuser taken off) for an overall directional ambient light. In front of that is a 28″ Mola Setti with a grid that acts as my main light for Jim. The two shafts of light on the far left are from a couple of 10˚-gridded Elinchrom 500w/s monolites. The final light is again a ringlight. BT
Did you use a Fresnel spot with barndoors ? Or is it just a honey grid ? Great Lighting and colors.
The lighting setup was very similar to THIS…using the MOLA Setti dish with a 20˚ grid in front of the Octalite…BT
One of my favorite (Terry Lundgren)… The beautydish seems to be nearly IN the octa, crazy setup !
I used this set up for a cover I just did and it’s a beautiful light,….hard yet soft. Sweeeet.
I’m returning to this post again. You say ‘straightforward’, but I’m just terribly impressed and intrigued by what you achieve with those lights. I was just wondering, how much and what kind of photoshop is required to achieve the bookcase-portrait look?