Blowing Smoke With Iron Chef Bobby Flay!!!

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Click on any image for Full-Size

This past weekend was the unofficial start of Summer and to kick off the season, Dave Baratz at USAWeekend had me shoot Iron Chef Bobby Flay for a Summer Grilling cover. He wanted BBQ…he wanted smoke…he wanted fire…and he wanted it shot in a studio.

So we obliged.

We set up shop at Milk studios for a couple of reasons…first, Studio #3 was wonderfully huge and second, it had tons of windows that we were gonna need to clear out all the smoke I knew we would have. But fake smoke is one thing, fire is something else! Since we couldn’t exactly light a real fire, I called upon Sarah Oliphant for a flame backdrop

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Next came the smoke. I kinda knew the standard Rosco smoke fogger wouldn’t be the way to go because all it does is spew out a huge blast of very hard to control smoke and I really wanted to have very precise, wispy smoke curls. We did tests using Superior smoke pellets

smokebomb

…but at $7 a pop and only lasting 20-30 seconds each, they weren’t the ideal fit. But then we found something new to me at JMFX out in Brooklyn…the Tiny F07 fogger

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Not only is it small…about the size of a deck of cards…so it’s easy to hide on a set or maneuver in and out of the shot on the fly, but since it has a wireless remote control, it’s extremely easy to control the output. About the only downside is that the damned thing costs $1850.00!!! Thank God for rental houses.

But after firing up a couple of the Tiny F07’s, this was literally our first test with the smoke..

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Not bad at all…all we had to do now was add an Iron Chef…

Bobby Flay

Bobby Flay

Bobby Flay

…and the cover…

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With the cover in the bag, we moved on to a second shot with another Olpihant backdrop

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After slapping a couple of steaks on the grill and both mini-smoke machines hidden inside, Bobby went to work…

Bobby Flay

Bobby Flay

Bobby Flay

Bobby Flay

So that was our day with the Iron Chef…and the best part is that now all of us at Damn Ugly Photography are certified special effects technicians!!!

Kaz, Brad & Ben

Song of the Day

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KATE TUCKER & THE SONS OF SWEDEN
Hangover


DOWNLOAD: Hangover

It should come as no surprise to long-time SOTD listeners that with me being back in the groove of kickin’ out free music for you guys, a new song from Kate Tucker wouldn’t be long in coming. Since ditching all her of dear, dear friends in New York for Nashville a couple of years ago, Ms. Tucker has been bouncing between her solo work and the K+NIKKU project with Nic Danielson, but she recently decided to reform The Sons of Sweden with a new group of Sons…Matthew Thompson on bass, Wes Chandler playing guitar and Ethan Place on drums. Kate and the Sons have been recording new material for a while and have just launched a Kickstarter Campaign to help them release “The Shape, The Color, The Feel”, described as a collaborative audio/visual venture to record the album, release it on vinyl, complete with music videos or short films accompanying each song. ‘Hangover’ is the little tease she’s dropping to get you interested, so give it a listen, head on over to the Sons of Sweden Facebook page and hit the ‘LIKE’ button, and if you have a few extra bucks burning a hole in your pocket, don’t waste it on a Powerball ticket…why not help them out on the Kickstarter campaign?

Click HERE and donate until your wallet is empty!

Song of the Day

ees

ELECTRIC EEL SHOCK
Metal Man


DOWNLOAD: Metal Man

Electric Eel Shock… a three-piece garage metal band that have been kicking around Tokyo since the late 90’s…are self-described as being “the BEST Japanese Metal Band”, and since my experience with Japanese Metal is pretty damned limited, I’m gonna hafta take their word for it. But I was trolling the Daytrotter site this morning and came across a live session they just did and figured it was just the kind of fun, exuberant thing I needed as a ‘Welcome Back!” to the Song of the Day!

Let’s not kid ourselves…these guys ain’t exactly Van Halen…but without any kind of significant record label success, they’ve still managed to plug along all this time and put together a pretty impressive fan base outside of Japan, and I kinda like that. So enjoy the song and when you’re done, give ’em a look over on their website.

On the Top of the World for Barron’s

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A few weeks back, Adrian sent me uptown to the GM Building for a feature on Jeff Kolitch, the manager of Baron Capital’s Real Estate Fund. Since the focus of the article was Real Estate, they kinda wanted to see Real Estate, so on the scout, even thought they had a lot of fish tanks that might make for some fun portraits…

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…I still had to make sure to come up with something that might actually relate to why Jeff was being interviewed…

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Adrian really liked the window and its view, so Ben and I figured we could turn it into a ‘frame’ that would hold our photo…

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And the final images…

Jeff Kolitch

Jeff Kolitch

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But we weren’t done yet. When Jeff walked me around the offices on the location scout, I really liked the space-age, floating glass staircase that joined the 48th & 49th floors…

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…and after a bit of lighting…

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Jeff Kolitch

…we ended up with this…

Jeff Kolitch

Sharp eyes will notice that in the final image I cloned the wall on the right side of the photo onto the left side to make things more symmetrical, a technique I used once before on another staircase shot for Businessweek.

Adobe & Goldman Sachs – A Match Made In Heaven?!!

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It’s Friday afternoon, and to close out my week-long rant against the proposed Adobe Creative Cloud, just in case there are any of you out there who still don’t believe that what Adobe is doing amounts to a straight-up money grab, I offer you this to chew on…

Quoted from a Goldman Sachs research report on the subject:

With the announced update of Adobe’s flagship content authoring tools Photoshop, Illustrator and InDesign the company rebranded them Creative Cloud instead of Creative Suite and stated that the new editions would only be available on a subscription basis. Further, the company stated that going forward all new features for these apps would also only be available with the subscription offering. Adobe will continue to sell and support CS6. While our conversations with Max attendees indicate that most found the timing of the move surprising, we view it as likely accelerating adoption of Adobe’s subscription offering…….We believe the lack of VIABLE ALTERNATIVES to the Creative Cloud apps along with the productivity enhancements in the new editions will drive the majority of CS users that are ready to upgrade to migrate to Creative Cloud despite what will likely be a vocal but small backlash.

That was followed with this little nugget:

In a report published Thursday, Goldman Sachs analyst Heather Bellini upgraded the rating on Adobe Systems from Sell to Neutral, and raised the price target from $34.00 to $48.00.

In the report, Bellini noted, “We upgrade ADBE from Sell to Neutral with a 12-month $48 price target. Since we added ADBE to the Sell List on 7/12/11, the stock is up 47% vs. the S&P up 21% (LTM ADBE is up 37% vs. the S&P up 17%). The stock’s relative outperformance comes as investors have given the stock credit for a more normalized operating model post the transition. At around $44 the stock currently trades on 30X consensus’ NTM EPS forecast vs. the three year historic average of 14X on compressed earnings (consensus is at $1.45 for FY13 vs. $2.36 in FY12).”

Adobe Systems closed on Wednesday at $44.70.

So…knowing they have the creative community by the balls because of the lack of “viable alternatives” to their applications, Adobe moves forward with the subscription only pricing scheme…and the biggest investment bank in the game upgrades their stock outlook by more than 40% on the news. And yet there are still those who think Adobe has OUR best interests at heart. If this isn’t a wakeup call, then what is?!!

He’s No Hitler, But This Guy Has A Bone To Pick With Adobe, Too!!!

Yet another unhappy Creative Suite user, Charles Reilly of Lime Productions, posted some very well thought-out observations about The Cloud on his YouTube Channel…

Remember…make sure to head on over to www.change.org and sign the petition to get Adobe to offer us users a choice…they only need a couple hundred more names to hit the magic 15,000 mark!!!

Do People REALLY Buy Broncolor?!!

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So this morning, Broncolor just sent me an email titled, “10 Things You Should Know About the Broncolor Move 1200L Outdoor Para Kit”, and I hafta say, I’ve been fascinated with this spendy bit of kit since they announced it last year, so I wasted a little time and clicked the link. Here’s what you get:

The Super-Dooper-Fast Move 1200 L power pack…

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One MobiLED lamphead…

bron_head

A Para 88 reflector with mounting adaptor…

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And a nifty Outdoor Trolley Backpack…

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…but after reading the 10 things Broncolor feels we need to know about this light, I came up with the only thing I needed to know…THE DAMN THING COSTS OVER $10 GRAND!!!!!

Actually, to be fair to Broncolor, it’s only $9,354.10…but toss in the tax in New York, and that’ll set you back $10160.89, and that is a stunning amount of cash for a battery powered light and an umbrella!!!

But before you all pile on to tell me how great the thing is and how fast it’s flash duration might be and how it has NO competition out there (How about an Einstein, a PLM and a Vagabond for about $800 bucks?!!), believe me, I know it’s kinda cool, but $10 Grand worth of cool?!!

I dunno…unless I had a winning Powerball ticket in my pocket, it simply seems like a tremendous mis-allocation of funds to me…

Hitler Hates Adobe’s Creative Cloud Too!!!

OK…OK……we’ve all seen at least a thousand of these Hitler memes, but I wouldn’t be doing my job if I didn’t pass on when Hitler learned about Adobe’s new Creative Cloud model…

…85,000 hits and counting!!!

DIGLLOYD Takes On The Adobe Creative Cloud…

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The past 24 hours at Damn Ugly have been pretty damned busy. We’ve gotten more hits from that Adobe post than just about anything I’ve written about in years! And as I continued scanning the interwebs to see what far smarter folks than me are saying about the entire mess, a came across a treasure trove of information posted by Lloyd Chambers, the Capo di tutti capi of making your Mac computer Ferarri-fast. Lloyd is also known as DIGLLOYD…the driving force behind MacPerformanceGuide.com…and he devoted a few days going over the fine print of the new Creative Cloud scheme, and he’s none too happy about any of it. He breaks down…with a whole lotta very funny & sarcastic asides…a whole mess of stuff I hadn’t even thought of, not the least of which is the particularly heinous contract Adobe expects you to sign prior to joining their Big, Happy Cloud Community. I loved the part where he said that since he actually took the time to READ the contract, when it came to the point at the end where he had to click the ‘ACCEPT’ button, the page had timed out!!! Apparently Adobe never intended ANYONE to actually read what they were gonna give away before signing the thing!

Now a warning…as with my post yesterday, reading through this requires a certain investment in time, but trust me, it’s well worth it! As a public service to all my Damn Ugly groupies, I’m linking to all of what Lloyd dropped over at MacPerformanceGuide.com regarding the cloud. Enjoy!

Adobe Clouds Software Choice (Adobe Creative Cloud Only Going Forward)

Adobe Creative Cloud: Date of Birth Mandatory, Lopsided Legal Agreement

Adobe Creative Cloud: Lopsided Legal Agreement

Adobe Creative Cloud: A Time-Wasting Chat

Adobe Creative Cloud: No Fair Warning Given for Upgrades

Adobe Creative Cloud: Why no ‘Buyout’ or Read-Only Option?

Adobe Creative Cloud: Reader Comments

Adobe Creative Cloud: The Main Point

Adobe Creative Cloud: Summary View

Adobe Creative Cloud: The “Toaster”

Adobe Creative Cloud: Activate/Deactivate and “Phone Home” License Check

And please…if you haven’t done so already, head on over to www.change.org and sign the petition to get Adobe to offer us users a choice!!!

Why We All MUST Fight Adobe And Stop The Creative Cloud!!!

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IF YOU HAVE ANY CONNECTION WITH THE PHOTOGRAPHY, DESIGN, ADVERTISING OR PUBLISHING BUSINESS, I ASK THAT YOU TAKE THE TIME TO READ THROUGH THIS MAGNUM OPUS OF MINE AS I TRULY FEEL IT IS ONE OF THE MORE IMPORTANT THINGS I’VE POSTED SINCE I’VE BEGUN DOING THE BLOG…BRAD TRENT

Last week Adobe announced that, going forward, all of its software products will only be available on a subscription basis. No more perpetual licenses for Photoshop, Illustrator, InDesign, Premiere Pro, or any of the applications that make up the Adobe Creative Suite…from now on, users will have to pay a monthly subscription fee forever if they want to use any of these products!

But before I set off on what might get interpreted as a narcissistic rant, let me make my opinion on Adobe’s decision to move to what they are calling a ‘cloud-based’ subscription only licensing model up front and crystal clear…

As a professional photographer who relies on Photoshop just as much as I rely on the digital cameras that produce my RAW files, I believe having to pay an ongoing monthly fee to use the application is an incredibly shortsighted decision by a company that essentially has the monopoly on digital asset management, and if I may quote David Hobby…the Strobist…”feels like the biggest money grab in the history of software”.

I will also say that the majority of what I’ll be talking about relates to Photoshop, since that’s the World I live in. Whether or not users of Adobe Muse, Dreamweaver, After Effects or any of the other applications in the Adobe Creative Suite find added value in paying the new $50.00 monthly subscription scheme, I have no idea. I’m gonna focus on the concept on what an ongoing $20.00 per month subscription means for photographers…

Adobe announced that by moving to cloud-based subscriptions they will have a better handle on software piracy, be able to better update the application as needed, and cut their development and distribution overhead. I can’t speak to their development costs, but as for software pirates, I’m not so dumb to think that if there is a will, there is a way. You can bet there is already a kid in a basement somewhere with a pretty good idea on how to distribute free “Cloud Copies” of piracy-proof software!

With the “Creative Cloud” being the really big news, it came as almost as an afterthought (perhaps to take your mind off the whole subscription thing???) when Adobe mentioned some new features they’ve added to Photoshop…like the Camera Shake Reduction tool, Smart Sharpen, and that you can now apply Camera Raw edits as filters. But let’s forget about any new features, since new features are why you would have paid for an old-school upgrade to Photoshop anyway. New features are a given. The real controversy is that from now on, you won’t have the ability to move forward incrementally as you see fit. In the past, if Adobe trotted out an upgrade to Photoshop that didn’t fit your workflow, you could just keep using the version you had and wait for the next version before you kicked in your money to be up to date. Adobe obviously didn’t like this. They saw it as a money-losing proposition if users didn’t slavishly continue along the upgrade ladder, paying for the privilege, of course. To counter this trend, they even changed their long-standing upgrade policy so that if you didn’t have Photoshop CS5, you wouldn’t be able to move up to CS6. That pissed off a lot of Photoshop users, but I understood it. I’m not against Adobe being able to charge for upgrades to their software, that’s their right. But apparently that wasn’t enough for Adobe. They have obviously decided that a perpetual subscription licensing model is the only way to continue bringing in a substantial cash flow. Assuming that hobbyists and ‘occasional’ photographers make up the vast majority of Adobe’s customer base, do they really expect these people to happily pay a $20.00 per month licensing fee to continue to use Photoshop? And if you can also assume that they will lose a pretty good percentage of that customer base…the casual Photoshop users, or those who decide to switch to Lightroom or Aperture…what are their plans to recover that lost income? Or maybe they’ve already got that figured out, and that is how they came up with the $20/month pricing plan for the Photoshop-only side to their cloud strategy. Maybe the actuaries have figured that since everyone who uses Photoshop doesn’t march over the upgrade cliff every two years, if they were to install a mandatory payment schedule it would ensure their income stream and they could claim the new plan, while more expensive, is actually better because it ensures a much more up to date Photoshop experience (even if the user doesn’t need the new features).

But let’s look at what they are really proposing…

Adobe claims the new “Creative Cloud” strategy “includes everything you need to experiment like never before”, and will allow you to “track comments posted to shared files, keep tabs on your work and your followers on Behance…”, and they drop buzz words like “Collaborate”, “Grow” and “Change” as though they are candies to be gobbled up by sugar-hungry children. I read this and couldn’t help but wonder if they have lost track of what a professional photographers work flow is REALLY like?!! Professional photographers aren’t looking to pay a $50/month license fee to ‘experiment’ with Illustrator, Premiere Pro or Dreamweaver! Professional photographers don’t use Photoshop as a social media tool. We don’t finish off an assignment by hitting the ‘Send’ button so our work posts in real-time on ‘Behance’ (which, in case you missed that press release, is owned by Adobe!). Professional photographers shoot, process, archive and retouch images in Photoshop. We send those images to our clients. And then it’s on to the next gig where we do it all again. I dare say that the overwhelming majority of professional photographers don’t waste too much time worrying about how Photoshop might aid them in ‘sharing’ their assignments on social media sites.

As for the “Creative Cloud” itself, it’s not actually a typical cloud service either. It’s simply an electronic distribution method of getting software to the end user. OK…there are some very minimal cloud services included…cloud file storage, syncing of settings, etc…but electronic distribution of software is hardly a new concept for Adobe. They’ve been selling upgrades for years using this technology. You will still have an actual application on your hard drive, but it will have to ‘call home’ to Adobe every month (or every 99 days for those who pay up front for a yearly subscription) in order to continue to function. What Adobe seems to think makes their cloud more desirable is their ability to issue more frequent updates and patches. In the past they have made patches available as needed and the version upgrades available every 1 to 2 years. With the cloud these feature upgrades can theoretically be added as they are developed. I suppose that is a plus, but again, there are huge chunks of Photoshop I don’t use or need now, so dropping even more features on most users isn’t going to be a make or break decision for most people anyway.

But let’s get to the two awfully huge elephants in the room…the pricing and what happens if you stop paying! After reading Adobe’s claims that the new pricing scheme has an arguably lower annual cost, I guess we’re supposed to all join hands and sing the Adobe Theme Song and be happy for the windfall that has been bestowed upon us. Personally, I don’t believe that paying $240.00 annually to rent a software program adds any value to my business model, but that would be narcissistic, and I’m trying hard not to make this all about me. Adobe is making it abundantly clear that they intend to employ this model to increase a revenue stream they feel they have lost because of those users who don’t upgrade on a regular schedule. We can’t keep going back and forth on that point. However, there is no mention from Adobe what happens after you lose the use of the software once you stop paying. How does a long-time user of an Adobe product access their files if they have stopped paying for a use license? And alternatively, what about your clients who may not have a subscription to Adobe? I guess they will not be able to view your work, unless of course, they decide to pay Adobe for the privilege. I have no issue with a company wanting to profit from their product. Adobe deserves to be paid for their marketing and R&D when it comes to all of their software, but under the old model if you stopped paying for upgrades to the new version, Adobe didn’t take away your software license on your old version! Stopping an upgrade cycle didn’t mean you couldn’t open a file you processed fifteen years ago! And believe me, if you get on the Adobe subscription licensing model train, if you get off that’s exactly what will happen with all of your work. It will become useless digital trash. The only way to continue to access your work is to keep paying the subscription license. And that is just wrong.

With this new decision to implement a subscription only licensing model, Adobe is in fact trying to change they way software licenses as we know it work. But is there something so totally broken with the idea of paying an initial fee for the license and then paying a scheduled upgrade/maintenance charge? As long as the user pays the maintenance charge, you continue to get the upgrades. If you stop paying the maintenance, you lose access to NEW upgrades, but your software will still function as you expected it would when you signed on. And I have nothing wrong with the idea that if the user stops paying the maintenance fee for a certain period, the user would then have to start over and re-purchase the base license if they want to continue along the upgrade path. I just had to do this when I moved from FileMaker version 5 up to version 12. I hadn’t the need or the want to pay for annual upgrade over the years, since I saw no added value…FOR MY PURPOSES…but when version 12 came out that changed. Since I had long since fallen out of the scheduled upgrade track, I had to repurchase a full version of the new software. That is a business decision best left to the consumer. What the vast majority of Photoshop users have been complaining about over the past few days is that Adobe has removed ALL choice in the software buying process, while reducing the value of the software for certain segments of their customer base…and increasing it for others. They seem willing to lose a large portion of their base clients…those hobbyists and ‘occasional’ photographers who don’t regularly stay on the upgrade path…and to make up that lost income it appears that the rest of the users will now and forever have to pay an ongoing fee to rent their product.

But perhaps the real reason Adobe is so hot to lock in a subscription-based scheme is because even they know there are only so many filters and gizmos they can add to ANY program before the end user reaches a saturation point and doesn’t see a cost benefit to upgrade! A new sharpening widget here or layering tool there every year isn’t gonna be enough to make most users feel the need to push $200.00 Adobe’s way, so before they ran out of ideas of ways to improve the software, they might have figured out this entire plan. And they don’t really have a compelling incentive to continue developing new tricks if their users are forced to pay FOREVER for a subscription just to ensure continued access to the files they’ve created with their software, do they?!!

These are only a few of the things that I really think need to be talked about. Adobe is, of course, making their “Creative Cloud” strategy sound like a wonderfully happy place and we should all bow down and thank them for thinking of us, the end-user, when they came up with this solution. But I’m sorry, but I can’t help but see this as a solution to a nonexistent problem! And I’m hardly the only person saying this. The outcry online has been thunderous. Just about every techie geek board on the interwebs has been filled with mostly negative comments. And these are aren’t the typical, “This Sucks, Man!” stuff…no, instead, thousands upon thousands of regular users of Adobe software are voicing their outrage in very clear terms. And if you’ve made it all the way through my own diatribe, I urge you to also make your voice heard. An online petition is sitting on www.change.org that demands Adobe to kill this ridiculous scheme and offer it’s customers what we expect…choice!!! Please check it out and add your name. There is also a new petition over at www.petitions.whitehouse.gov calling for a DOJ investigation on the legality of Adobe’s move, and it can’t hurt to put your name on that one, too. And if you have the ear of your Adobe rep, or even the guys at your local camera store, digital outlet or rental shop, make your opinion known. This is not going to go away without a significant groundswell that will be heard in the boardroom at Adobe.

Please sign these petitions I’ve linked to below in an effort to stop Adobe from moving forward with their new scheme for Subscription-only access to their software:

www.change.org

www.petitions.whitehouse.gov

R.I.P. Alan Abelson

Alan Abelson & Brad Trent

Me and Alan at the 2008 Roundtable

Alan Abelson, the veteran financial journalist and longtime writer of the “Up and Down Wall Street” column in Barron’s Magazine, died last Thursday. The former Editor of Barron’s was a regular member of the panel who quizzed the Roundtable members each year about their predictions on the coming years financial markets, and as many of you probably know, I’ve shot that Roundtable issue for the past seven years. Alan was well-known as being a thorn in the side of Wall Street for his fearless style of journalism. Ben Stein, the writer, actor, economist, and humorist who was a longtime friend of Alan’s, wrote in the American Spectator

“…His columns were dour, hilarious, insightful. He never bought into the prevailing “wisdom” of Wall Street. It was all about hucksterism and self-promotion. He realized that from the first day until the last. He could and would deflate any balloon, from the dirigibles of the Fed to the smaller ones of hedge funds. There is no one like him now. The rest of us are just ordinary people. He was Superman.”

Goodbye Superman.

Where in the Hell is Damn Ugly?!!

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I got an email today from the 22 year-old son of a photographer who follows Damn Ugly Photography. It seems that while his Dad hangs out in here for the photo-related stuff that dribbles outta my brain, he turned the son on to the music that I (ever more infrequently) post here. He was wondering what the Hell I had been doing that’s so important to be keeping me from my duties of distributing free new music to the masses! He told me that once he spent some time here, he’d gotten hooked on the Song of the Day and had gone back to the beginning of the blog and downloaded every song I put up, but now he was going through serious withdrawal waiting for me to start up again.

I’m sorry….I’ve been busy.

Well, more correctly, I’ve been busy and distracted and homeless. The busy part is great, actually. We here at Damn Ugly haven’t been working this much in a long time, and trust me, we ain’t complaining, but that bit about being distracted and homeless has meant that devoting time to devote to the old blog has been tough. Some of you know that I sold the Damn Ugly World Headquarters last September. The plan was to move into new digs shortly after, but a few wrenches got tossed in the works and I had to scramble to figure out a new plan. Still…contracts were signed on a new location October 1st, with assurances that we would be moved in by, “December 1st…the 15th at the absolute latest!”…today is May 12th and I’m still couch surfing! The excuses as to why it’s taken so long don’t even matter to me any more, but the lack of a Manhattan base of operations has really been kicking my ass. All that work we’ve been doing is fine, but it means that I typically have to finish the gig, then head up to the Damn Ugly Northern Command…where the bears are…to work on the processing and such. So between the work we’ve been doing, the travel time to and from the gigs and all the other minor details that make up my life, the posting frequency at Damn Ugly Photography has certainly suffered.

But I’ll try to do better. I promise! I’ve got months of stuff I gotta catch up on…starting tomorrow!!!

bt_stairs