Big Dogs On Staten Island

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I’ve been working with Uber-Designer Patrick Mitchell and Nicole Dyer from NYU Langone Medical Center for quite a while and when I get the call to photograph one of their patients, I can usually be sure the day will be something we haven’t had to tackle before. This was the case when Nicole asked me to shoot Artie Zuckerman, a retired NYC Cop who was treated for prostate cancer at the Perlmutter Cancer Center. So Kaz and I loaded up the van and headed over the Verrazzano Bridge to Staten Island…..

I immediately fell in love with the suburban image of Artie’s front porch…let’s get to work!

But what really got me excited about the steps was I knew I wanted to shoot Artie with his puppies…his three really, really big puppies!

Now if you think wrangling three rambunctious Great Danes is easy, lemme burst your bubble and assure you it is not. After more than half an hour of trying for one frame where everything came together, I’m happy to report that we got just ONE…

With the pooch portrait in the bag, we needed to get another setup for the story. At 68, Artie has a 31-inch waist, a 46-inch chest, and can knock out 20 chin-ups…so we wanted to show how fit he was after his successful treatment. He suggested going to the beach where he does his daily run with the dogs…

You can read Artie’s story here on the NYU Langone site.

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Sam Edelman – The Shoe King

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Sam Edelman began his career in shoes when Ralph Lauren had him produce a line of equestrian-inspired footwear, but then he went on to co-found Kenneth Cole Productions, and launched the shoe division at Esprit. Sam Edelman was the Shoe King. Jessica Fitzgerald, the Art Director at Footwear News, asked me to shoot a “Legends’ cover for the magazine…the first time I’d ever done an assignment for them!

Our shot list was long…and we’d only have a couple of hours…so Kaz and I loaded up the van and headed to the Sam Edelman Showroom in midtown for our audience with The King…

The first thing we saw when we arrived was the large showroom area…

Jessie liked my series of ‘Artificial Portraits’ and thought this would make for a nice warts-and-all, behind-the-scenes cover setup…

Enter The King…

Jessie nailed it with her cover layout…

For our second shot, I noticed a corner of the showroom was papered in a stylized ‘E’ pattern…

And there was also a similarly colored display case…

We used the display case as a table and positioned it in front of the wall…

Lighting was a single 20″ Profoto beauty dish (softened & gridded) with a 7′ Impact umbrella directly behind me and the camera…

Jessie liked the idea of Sam in his corner office…

…so the styling crew went to work…

…but Kaz and I had to add a bit more light, drop the color temperature to accentuate the blue, and open up to a 1/4 second shutter speed to blow out the window exposure. We dropped a couple of bare heads in the corners aimed back at Sam’s chair…with no other front light or fill…to mimic a hot Sun light…

This became the opener for the story…

Now after three pretty involved setups, Sam was about done…but Jessie and I pressed for one more very quick portrait. We went back to out first setup on white. I could have just used the existing light and come in close for a tight portrait, but instead I dropped in a white flat for a table and started with just the small Strip Light that we were using for a skim light…

Then we swung the 3′ Profoto RFI around high and to the left side…

Playing around with the Kelvin slider, we decided cooler was better…

…but Sam’s icy stare made the photo…

You can read about Sam Edelman’s Wild Ride here…and thanks Jessie, for what I hope is the beginning of a long working relationship!

Salman Rushdie for WSJ

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The phone rang…and we got to spend the morning with Salman Rushdie”. The celebrated author just released his fourteenth novel…Quichotte, which was just added to the shortlist for this year’s Booker Prize…and Elizabeth Winkler was interviewing him for the Weekend Confidential column.

Here’s a look at our time with Salman…

The first setup couldn’t be simpler…a single 5-foot parabolic umbrella flying high on a boom, a couple of layered backdrops (courtesy of Gravity Backdrops) and an old, beat up farm table…

Very classic and very contrasty…

For the second portrait, we went with a boomed, gridded, diffused 20″ Profoto Beauty Dish high and directly overhead, filled with another five-footer behind the camera…

Here’s how it looked…

Finally, I moved in tighter…

That was the one…..