Joe Duran In A Walnut-Paneled Room For InvestmentNews

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Joe Duran is the CEO of United Capital and we met up with him in a sumptuous, expensive looking, walnut-paneled room at the University Club in Midtown Manhattan for a cover shoot for InvestmentNews.

Here we go…..

Lotsa wood paneled walls…

But we had a specific look in mind, and that meant we were gonna drop some seamless…here’s Matt, looking pensive…

Lighting was pretty simple…a gridded 3′ Profoto RFI main light filled with a soft ring light.

When Joe arrived, he tried his best to emulate Matt’s serious look…

…but there was something about his smile that worked better…

On the opposite side of the room, we had dropped a grey seamless…

Obviously, I white-balanced my setup in Capture One rather cool…around 4350 Kelvin…to shift the grey tones from neutral to blue. I did that to better match Joe’s blue suit. The whole thing was lit by a single 47″ Rime Lite Grand Box with only a 7′ pop-up reflector on the right side for fill and I shot everything using a 50mm on the Hasselblad for a bit of wide angle distortion…

Here’s how it looks in this week’s InvestmentNews

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Steve Madden Don’t Take Shit From Nobody

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Most people might think they know who Steve Madden is. After spending an afternoon with him for the Wall Street Journal, I can guarantee you have no idea who Steve Madden is! The Journal was doing a profile on him in conjunction with the release of ‘Maddman’…a documentary that tells his rags to riches story, from selling shoes out of the trunk of his car to becoming the mogul of a billion-dollar designer footwear empire to being sentenced to prison because of his entanglement with Jordan Belfort (the Wolf of Wall Street guy) and how he’s rebuilding his empire and his life following his release. He is a nonstop bundle of crazy, manic energy and I had to corral that energy into a few portraits for the story.

When we showed up at his showroom, we immediately were presented with a Warholian wall of ‘Maddman’ movie posters…

I know right off that would make for a fun portrait. I wanted it to be punchy and for the colors to really pop, so we went with a Profoto 3′ RFI main light with a ring light fill…

…and when Steve showed up, it almost looked like he walked right outta the posters…

As we were setting up the first shot, it occurred to me that the B&W graphic wall next to us had some potential as well…

We set up a similar lighting as the first shot, but with a gridded Beauty Dish in place of the RFI for the main light…

(Robert asking Steve to remove the giant wad of cash from his pocket before we begin)

Yeah…this works, too…

Now we already had two pretty strong portraits, but I wanted to get Steve as just Steve…alone on a seamless…so we dropped a roll of white in front of the shoe racks and went to work…

it looked good…

…but something told me shooting it B&W was the way to go…

Steve told me he never let anyone shoot him without his baseball cap…

…but I put him in a good mood…

Philipp Haemmerle For Die Zeit

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Philipp Haemmerle is perhaps the hottest, most in-demand set designer/art director/style maker for some of the biggest names in fashion and photography. Peter Lindbergh, Mario Sorrenti, Bruce Weber, Tom Munro, Paolo Roversi, Richard Burbridge…they all have Philipp on their sets for the biggest campaigns in fashion. Not bad for a guy who got his start as a performance artist on the streets of New York.

I got a call from Florian Fritzsche a few weeks ago…head out to Industry City where Philipp has his studio and come back with some cool shit…here’s how it went…

His studio is huge, has outrageous light pouring through walls of industrial windows…and under it’s other name, Sunset Studios, doubles as a rental photo space. I really didn’t wanna do a literal portrait of a guy building sets, but the first thing I saw when I entered was a gigantic sculptural piece of driftwood…

…but when Philipp arrived, we had to move quickly, cuz as nice as that light was, it was moving fast…

With a little shift to the left, plus some attitude from Philipp and this shoot was making itself…

Next, we simply did a 180 for a view in the other direction…

Finally, Philipp suggested we try to do something that showed off his great view…a view that went all the way from the Statue of Liberty to Lower Manhattan…

…his artistic intuition paid off…that’s the shot Die Zeit chose for the feature…

Thanks to Florian and photo director Jutta Schein for the opportunity.

Kurt Andersen For The Village Voice

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As the Village Voice ends it’s 62 year run as New York’s best alternative newspaper in a couple of weeks, I was given a last opportunity to contribute one more portrait session to the time capsule. Photo Editor Andrea Maurio asked me to meet author, editor, radio host and Bon Vivant Kurt Andersen in a park in Brooklyn…here’s how it went…

Setting up under the trees…

Kaz under ambient light, overcast…I sure hope that Sun pops out…

Add the 3′ Profoto RFI…

Insert subject, press the button…

Kurt was on a tight schedule, but for a quick second shot we just had to turn the camera 45 degrees South for this view under a row of trees…

Kale Friesen was also helping out that day…he got to be Macbeth Boy…

This was OK…

…but I told Kale to go grab one of the cafe chairs we saw on the other side of the park…

That did it.

Here’s how it looks in print…

And you can read the story online HERE

The Voice has two weeks to go in it’s print life. Go out and pick up a copy while you still can.

Silence = Death

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Last week, Andrea Maurio at the Village Voice asked me to photograph the five surviving members of the Silence = Death Collective for this years ‘Pride’ issue.

For the first time in years, the five guys who created a poster consisting of a pink triangle set against a black background with the words “Silence = Death” below it, would be together at the same time for a 30 year commemorative gathering at the Leslie-Lohman Museum of Gay and Lesbian Art. Because of the event, we weren’t going to have a lot of time to shoot, but I still had to come away with a group shot and individual portraits of each guy. And because of all the people attending the event, shooting a group photo inside the gallery would be impossible. We decided to use the outside of the building…

The Silence = Death Collective: L-R, Avram Finkelstein, Charles Kreloff, Jorge Socarras, Brian Howard & Christopher Lione

After a very quick five minutes on the sidewalk, we moved back inside to a small office we commandeered as our portrait studio for the individual photos…

The Village Voice Pride Issue is out today and you can read the story How Six NYC Activists Changed History With “Silence = Death”

Special thanks to Avram, Charles, Jorge, Brian & Christopher for allowing me the opportunity to photograph them, and to Andrea Maurio and Ashley Smestad Velez for the great assignment.

Nick Murphy AKA Chet Faker

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I recently got to spend a day with Australian singer/songwriter Nick Murphy, better known by his stage name, Chet Faker. The Sydney Morning Herald was doing a cover story for their Sunday magazine that talked about his new album and how he was going to use his real name after five years as Faker. Tegan Sadlier, the photo editor at the Herald, and I tossed around a bunch of ideas before deciding on “Will The Real Nick Murphy Please Stand Up?” as our cover headline. More on that later, but here’s how the shoot went…

I have long had Ruby Bird Studios in Greenpoint on my radar, but haven’t had the right subject to take advantage of the wonderful grunge they have to offer…Nick was that subject! The old warehouse on the Brooklyn waterfront was made for a day of rock star portraits…

While studio 520 can hardly be described as a daylight space, it does have a cool casement window…

…that with minimal lighting (one big umbrella directly over Nick’s head) made for a nice, moody start…

Just to the left of the window was a beat up old sliding metal door that I liked for some tight portraits…

To the right of the window was an even more interesting door, but this one was recessed in a brick wall that would make for a frame around Nick…

…and that furry green coat…perfect!!!

Finally, for our cover concept…I convinced Tegan I could do a multiple image photo of Nick in different positions, wearing different outfits, to illustrate the ‘Will The Real Nick Murphy Please Stand Up?’ idea…

This wall was our base…

Next, we had to place our ‘Nicks’ in different spots in the frame…

And when that was done, all that was left was for me to spend a day at the computer making a group shot…with the ‘real’ Nick standing up!

…and here’s our final cover…

Bo Dietl Wants Your Vote For Mayor Of New York City!!!

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Bo Dietl wants to be Mayor of New York City, and Ashley Smestad Vélez from the Village Voice sent me up to his office for a look around. Here’s what we found…

Here’s how it looks in today’s Village Voice