Clive Davis

Click on Any Image for Full-Size

Clive Davis. Music industry icon, record company head, legendary producer, prototypical A&R guy, Grammy Award winner, member of the Rock & Roll Hall of Fameā€¦and the man who had his hands on the careers of Janis Joplin, TLC, Rod Stewart, Alicia Keys, Barry Manilow, Christina Aguilera, Carlos Santana, Kelly Clarkson, Jennifer Hudson, Laura Nyro, Santana, Earth, Wind & Fire, Bruce Springsteen, Chicago, Billy Joel, Blood, Sweat & Tears, Loggins & Messina, Usher, Outkast, P!nk, the Notorious B.I.G., Sean Combs, Toni Braxton, Aerosmith, Pink Floyd and Whitney Houstonā€¦should I stop with the list now?!!

Adrian DeLucca sent me down to Sony Music Entertainment…where even at 85 he is still the Chief Creative Officer…so I could get a few portraits for PENTA. Hereā€™s what we came home withā€¦

Knowing that we were probably gonna have no more than 5 minutes with Clive, Robert and I set up a couple of identical sets with different backdrops…

The 5 minutes was about right, but we got what we came for…

…and Adrian liked my pulled-back set portrait so much, they used it for the opener…

Thanks, Clive…



Click on Any Image for Full-Size

Iā€™ve just finished a run of three back-to-back portrait gigs, all shot in the same empty, end-of-the-hall location at Barronā€™s. We’re calling it the Picnic Table Studio because at some point in the past few months somebody decided what that empty hallway needed was a fancy Picnic Table. For all three shoots we would have very little time. Each person was either going into or coming out of an interview and we would have five minutesā€¦or less. Here we goā€¦

The space itself ainā€™t nuthinā€™ you would gravitate towards as a location. There was the tableā€¦

ā€¦and a hallwayā€¦

But the low ceilings and tight surroundings didnā€™t make it an ideal place for lighting. So for the first two of our three shoots, we decided to just go with the bank of windows for our main light and add accents as needed with my continuous DIY ā€˜Ghetto-Floā€™ lights.

Our first subject was Alan Colberg, the CEO of the Assurant Insurance Company. I liked how Kaz looked at the Picnic table, but it needed a bit of help. First thing, we had to cool down the color temperature…

The windows threw in a lot of light, but it still needed something. So we added one Ghetto-Flo on either side of him for a bit of separating rim light, and we were ready to go…

Since that only took us about two minutes to shoot, we quickly reset for a look down that hallway. Again we relied on the windows for our main light and then popped in one skim light on the right side…

Here’s the final page…

The next day we were back for Round 2. Jamie Dimon, the Chairman, President and CEO of JPMorgan Chase. Now I have shot Jamie a lot over the past twenty years and I knew he wants the photo shoot to be over before it begins, so this had to be super-quick. Adrian said he wanted something very simple and matter-of-fact…just Jamie looking back at the viewer. Something like this…

And again, we decided to work with the available light and just add one skim light off camera on the right side…

Jamie’s simple black jacket gave just the right amount of negative space to the overall bright scene…

For a second shot, we wouldn’t have time to relight, so without changing our lighting I threw on a 200mm lens to come in tight…

…but his black jacket gave me another idea. Why not go black?!! So I had Kaz hold a black scrim behind Jamie and we instantly went from a high-key setup to a much darker, more dramatic look. We were able to get off three frames before he bolted…

The final shoot was less than five minutes long and gave us two separate features…

A few weeks later, we were back again…this time to shoot Henry Ellenbogen, a Portfolio Manager at T. Rowe Price. Like the others, he was there for an interview and we would get him for a few minutes. But this time I wanted to bit more control that the bank of window light would give me. So I brought along one of my Gravity Backdrops and a small Profoto kit for a nice, simple portrait setup…

Do you get the feeling Kaz is getting sick of setting up in the same place?!!

As you can see, the ceiling height really prevents us from an optimal setup…

…but even still, the light was kinda great…

With a little contrast control and desaturation, here’s how things looked when Henry sat down…

And the final image in Barron’s…

Playing High-Stakes Chess With The Smartest Guys In The Room


Click on any image for Full-Size

When January rolls around, one thing you can always count on is that I’ll be packing up 1000 pounds of gear and heading to The Harvard Club to shoot the Barron’s Roundtable. This year, Adrian Delucca and I worked up a few ideas based on the game of Chess. Here were Adrian’s chicken scratches that led to our cover shootā€¦


This year we would be publishing three covers in January, and the usual mid-year cover in June, so we had to set up three different lighting setups in the very tight quarters of the Presidents Room at the Harvard Clubā€¦

The main setup for the Week One cover and openerā€¦


ā€¦the Chess Table set for the Week Two & Three coversā€¦


ā€¦and third area for the mid-year portraitsā€¦



As usual, we would start shooting the ten Roundtable members separately as they began arriving at 8:00AM, and we had to be finished everything when the meeting beganā€¦at 10:00AM! That meant we had to shoot each person in enough different situations for three covers and three openers as well as individual portraits of each for the midyear issueā€¦all in two hours. And we also had to convey exactly what we needed each person to do since they wouldn’t be posing with anyone but themselves and everything would be put together in post! They’re given no advance warning of what we’ve cooked up for them until they arrive.

That kinda thing is hard enough to pull off when you’re dealing with professional models, but when you’ve only got 5 or 6 minutes with a financial expert, getting him to instantly channel his inner actor is a wee bit harderā€¦









With our Roundtable members safely in the bag, now I got to spend the next three days locked in front of my computer. I had already spent a day shooting a Chess Board & Pieces for our base cover imageā€¦


Now came adding the human chess piecesā€¦




And after a considerable amount of Photoshop work, the final cover image looked like thisā€¦



Next up was the opening imageā€¦





And the final imageā€¦



Finally, I had to put together two different chess playing situationsā€¦from two different anglesā€¦for the Week Two and Week Three issues. This was our high-angle test shot (you can see the low angle tripod at the bottom of the frame)ā€¦


What would be so easy if we could just shoot it as one photo becomes a very complicated puzzle when you hafta shoot everyone separately while trying to keep track of who you’ve already shot and in what positionā€¦





These are the two final imagesā€¦




Now on to the low angleā€¦










Manā€¦am I ever tiredā€¦ā€¦.

On the Top of the World for Barron’s


A few weeks back, Adrian sent me uptown to the GM Building for a feature on Jeff Kolitch, the manager of Baron Capital’s Real Estate Fund. Since the focus of the article was Real Estate, they kinda wanted to see Real Estate, so on the scout, even thought they had a lot of fish tanks that might make for some fun portraits…


…I still had to make sure to come up with something that might actually relate to why Jeff was being interviewed…


Adrian really liked the window and its view, so Ben and I figured we could turn it into a ‘frame’ that would hold our photo…



And the final images…

Jeff Kolitch

Jeff Kolitch


But we weren’t done yet. When Jeff walked me around the offices on the location scout, I really liked the space-age, floating glass staircase that joined the 48th & 49th floors…


…and after a bit of lighting…


Jeff Kolitch

…we ended up with this…

Jeff Kolitch

Sharp eyes will notice that in the final image I cloned the wall on the right side of the photo onto the left side to make things more symmetrical, a technique I used once before on another staircase shot for Businessweek.

R.I.P. Alan Abelson

Alan Abelson & Brad Trent

Me and Alan at the 2008 Roundtable

Alan Abelson, the veteran financial journalist and longtime writer of the “Up and Down Wall Street” column in Barron’s Magazine, died last Thursday. The former Editor of Barron’s was a regular member of the panel who quizzed the Roundtable members each year about their predictions on the coming years financial markets, and as many of you probably know, I’ve shot that Roundtable issue for the past seven years. Alan was well-known as being a thorn in the side of Wall Street for his fearless style of journalism. Ben Stein, the writer, actor, economist, and humorist who was a longtime friend of Alan’s, wrote in the American Spectatorā€¦

“ā€¦His columns were dour, hilarious, insightful. He never bought into the prevailing ā€œwisdomā€ of Wall Street. It was all about hucksterism and self-promotion. He realized that from the first day until the last. He could and would deflate any balloon, from the dirigibles of the Fed to the smaller ones of hedge funds. There is no one like him now. The rest of us are just ordinary people. He was Superman.”

Goodbye Superman.

Cooking With Cash For The Barron’s Roundtable


Click on any image for Full-Size


Here’s a quick follow-up to what we did with that $30 Grand in cash I needed as a prop for the Week Two and Week Three group shots of this years Barron’s Roundtable shoot. Once again, our object was to shoot as many different single images of each Roundtable member playing around the cooking theme so that we could later assemble them into our little stories. Since the theme played on the idea of cooking up a recipe for the perfect economy, cash…lotsa cash…was required as our main ingredient!





And here’s how the final pages looked…



Behind The Scenes At The Most Expensive Barronā€™s Roundtable Yet

Click on any image for Full-Size

We here at Damn Ugly Photography have done many, many, many Barron’s Roundtable shoots over the years, but this time we came close to breaking the bank…literally! Our cover idea was to have the members of the Roundtable rockin’ Chef Props as they cooked up the perfect economic recipe for the coming year, and for our ‘ingredients’ we needed cash…lots and lots of cash


Since Photoshop has added high-tech security filters that make it almost impossible to scan money and print it out…and prop money looks way too fake…we decided to hit my bank and just get real cash (that’s about $30 Grand in the bag) to use in our recipes…


The basic cover setup was a raised plexiglass platform that I could shoot from both a low angle for the cover image, and from slightly above for the inside compositions for the Week Two & Week Three images…


Hasselblad H1/50mm f4.0 with a Leaf Aptus 33 for the cover and the 5DmkII/24-70mm f2.8 for the higher-angle inside shots…



As in previous years, we have only two hours to shoot everybody…all separately as they arrive at The Harvard Club for the meeting…on two different sets, and we must come away with two covers (for the January and June Mid-Year issues), two inside openers for those covers, two feature openers for the second and third week follow-up issues and individual shots of each person for the June Mid-Year issue. In those two hours we try to cram in as many different poses and props as possible so we have enough to work with when it comes to assembling the final group shots. Here’s some of the fun…

Marni worked her super-fast makeup magic on everyone before they got on set…


Oscar Schafer…




Brian Rogers…


Fred Hickey…


Abby Joseph Cohen…


Scott Black…


Adrian and I liked the idea of placing everyone on the edge of a mountaintop made from a butcher block cutting board and viewing them from below…


…so once I shot a bunch of angles on the board, we had all the raw materials in place. Now it was up to me to assembly the individual shots into our cover and feature opening photos…

The 2013 Barron's Roundtable

Click on images for Full-Size


The 2013 Barron's Roundtable


This stuff never gets old!


Stay tuned next week and you’ll see what we did with all that cash once Barron’s runs the Week Two and Week Three images…