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I’m not sure at this point if there’s anyone out there who hasn’t heard of Misty Copeland. Besides making history as the only African American soloist dancing with the American Ballet Theatre, her best-selling autobiography, ‘Life In Motion’, dancing onstage with Prince, appearing in ads for Under Armour, Dr. Pepper, Coach, The Corcoran Group and T-Mobile, and her numerous features in magazines like The New Yorker, Vogue, Elle and New York Magazine, the 32 year-old ballerina is possibly the most visible face in the dance World since Baryshnikov. And my buddy Rob Smith asked me to put her on the cover of Arrive. Here’s the behind-the-scenes from our day at Bathhouse Studiosā¦
Since we knew we would have relatively limited time with Misty, Rob and I had worked up our ideas for the shoot early on. The story was about mentors, and we would be photographing Misty with Raven Wilkinson, the first black woman to dance full-time in a major ballet company, including Ballets Russes de Monte Carlo, the Dutch National Ballet, and the New York City Opera Ballet. We had to get enough for our cover, a few opening shots, a portrait of Misty and Raven together and anything else we could fit in! But shooting at the Bathhouse meant we would have lotsa space to set up everything beforehand cuz the studio is so beautifully huge!
Our setup on the cycā¦and that marvelously high ceilingā¦
Kaz and I setting up the two-shot of Misty and Ravenā¦
Robert and Julien sitting in for our coverā¦
Julien taking flightā¦
My stylist Karen Sherwood laying out the wardrobe…
Misty arrived just as we were about finished with our setup and went into hair & makeup right awayā¦
ā¦but shortly afterwards, our little dancers from the ABT School showed upā¦
and they quickly put on a little show for Mistyā¦
Julien grabbed Misty to test the lighting on our first setupā¦
ā¦and so started our shooting dayā¦
Here is the final portrait of Raven and Mistyā¦
Next, we moved onto the cyc for our opening photo of Misty with the Dance School studentsā¦
Misty approvesā¦
ā¦and the resulting photographā¦
Now I wanted to do a series of solo shots of Misty in different positions. The idea was that I would assemble these solo images into one unified ‘group’ photographā¦
And the final ‘group’ shotā¦
Before I took Misty off the cyc, I pulled out my vintage stools for one more ideaā¦
Best shot of those two stools I’ve ever takenā¦
Oh yeahā¦I nearly forgotā¦CBS sent over Anthony Mason and a film crew to document our little shoot for CBS Sunday Morningā¦
Now where was Iā¦oh rightā¦the final shot would be of Misty and Raven together for our cover. We re-purposed that ballet barre from the shot with the kids, and set up a very simple situation with a big, soft Octaliteā¦Misty in her costume as her mentor looked on…
Our cover imageā¦
Here’s how everything looked in ‘Arrive’ā¦