Rose Byrne For The Wall Street Journal

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Rose Byrne is in a new movie…Juliet, Naked…that’s coming out August 17th and Alexandra Wolfe just profiled her for the ‘Weekend Confidential’ feature in the Wall Street Journal. Coincidentally, we shot Ethan Hawke…her co-star in the film…a few weeks back. Here’s a look at our day with Rose…

Rose and the Glam Squad took over the back end of the studio…

After going over the wardrobe, we really liked a beautiful beaded dress for our first shot…very soft and feminine…and since the studio had a nice wall of windows, we thought of using the natural light…

…but the natural light wasn’t quite enough to rely on, so we had to improvise a bit. I added a 5′ umbrella outside the door for our main light…

…and a second five-footer clamped to the fire escape for the other window…

Those two big umbrellas gave us the consistent soft daylight look we needed…

But a third five-footer was added above the camera for some soft fill and we tweaked the color & contrast corrections in Capture One…it looked a lot better with Rose in place…

For our second shot, we dragged the umbrellas off of the fire escape and quickly positioned them into a ten foot high wall of softness against some whitewashed wood planks…

Let’s go with the white motorcycle jacket and black jeans…

For the final series, I wanted to get a bit darker & moodier, so we set up a boomed 7′ parabolic umbrella against a rough concrete wall…

As much as I like the previous shot with the white MC, the black-on-black version was really the way to go…

And for one final variation, we simply dialed in the shadows a bit…

The Rose Byrne interview is in The Wall Street Journal right now…

Thanks for the great day, Rose…

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Party Time With Marcus Samuelsson

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Marcus SamuelssonAquavitRed RoosterStreet BirdThe Food NetworkNo Passport Required…..that guy! I just love that guy!!! I had photographed him once before…years ago…where I set up a little food fight between him and chefs Tyler Florence and Melissa Kelly…

…so when Laura Baer asked me to shoot him at Marcus B&P…his new restaurant in Newark…for the New Jersey Monthly ‘Where To Eat Now’ cover, I was happy to hang with the Chef for some more fun times. Art Director Andy Ogilvie and I headed down to Newark to check out Marcus B&P…

The first thing that struck us was the bar that filled the entire front of the restaurant…

Yeah…that’ll work. And right next to the bar were these cover-ready booths…

So a few days later, Kaz and I loaded up the van, crossed the Hudson to do what we do…

But it is a restaurant…so let’s see some food…

OK…let’s move on to our cover shot…

Marcus had no reservations about dancing on a rather precarious tabletop…

And it looked good, but I still had to fire up Photoshop and to clean up the wall and get rid of that green stuff on the right side of the shot to make it truly cover-ready…

Now it was ready!

With two shots in the bag, we had just a little bit of time left before the place opened for dinner service and I spotted one more shot I wanted to do…at the Pass looking into the kitchen area…

It was a great place for a portrait of Marcus with chef James Bowen…

Everything is out right now in the August issue of New Jersey Monthly…

Huge thanks to Marcus and James…we had a blast!

Ethan Hawke For The London Sunday Times

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Ethan Hawke has a new movie out…‘First Reformed’…and Adam Hearn from the Times of London offered me the opportunity to hang with him for a bit and hopefully come away with a few portraits for the cover of the Sunday Culture Magazine. Kaz and I headed out to Ruby Bird Studios in Brooklyn and here’s how things went…

I wanted to shoot at Ruby Bird cuz it’s dripping with character…point in just about any direction and you can’t help but have a great background. And besides a cool location, we had Michael Fisher as our stylist for the day. And he killed it with all the amazing clothes he brought!

I decided to start pretty simple…in a corner…..

Ethan worked the Hell outta that corner…

For a second look, we set up against one of the rusty sliding doors…

…and Michael had the perfect retro outfit for the mood…

Michael had a rack full of extremely nice suits just begging to be used, so for our final shots, we went with a simple, dark seamless…

…and I let Ethan just play around…

Here’s the cover that came out yesterday…

Thanks to Adam, Michael, the folks at Ruby Bird..and most of all Ethan…it was a cool hang!

Director Ramin Bahrani For Variety

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Director Ramin Bahrani just remade the classic Ray Bradbury novel, Fahrenheit 451, for HBO…and I got the call from Jennifer Dorn at Variety to shoot him for this weeks issue. Kaz and I packed up the bus and headed downtown to HBO in midtown and here’s how things turned out…

First, we set up my favorite cement wall drop from Gravity Backdrops for kind of a raw look…

Pretty simple lighting setup…just an 8″ fresnel spot with a couple of 5′ umbrellas for a soft wall of fill…

…for a natural sunlight look…

But when Ramin arrived and we saw him dressed all in black, we decided to to crush the shadows and darken things for a more menacing overall appearance…

On the other side of the room we dropped a medium grey seamless…

Once again, a little more contrast and a bit less shadow detail helped a lot…

But the Black & White set the mood…

Here is the finished story in Variety

Berlin International Film Festival – Homage To Willem Dafoe

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The 68th edition of the Berlin International Film Festival is running right now, and the organizers are dedicating this year’s Homage Award to film and theatre actor Willem Dafoe and presenting him with the Honorary Golden Bear in recognition of his life’s work. The special program for tonight’s award presentation features my portraits of Willem, originally shot for the Wall Street Journal…

Ray Dalio for the London Sunday Times

It’s no exaggeration saying Ray Dalio is a fabulously successful fund manager. His investment firm, Bridgewater Associates, is among the largest hedge funds in the World and he’s personally worth somewhere in the neighborhood of $20 Billion. I had been offered the chance to shoot him three separate times, but was always booked and had to pass. Then Andrew Mitchell at the London Sunday Times called, and I figured this might be my final opportunity. He had been making the rounds pushing his book, Principles: Life and Work and we were promised ‘a few minutes’ with Ray while he was at a meeting in Manhattan…off we went…

Ever since seeing the Irving Penn show at the Met, I’ve found myself channelling the Master…I’m pulling out the backdrops and firing up the really soft lights more than usual…so Kaz and I set up a little North Light studio off in an area that was under construction of the floor where he had his meeting…

Super simple…just a big, soft 5′ umbrella and a couple of canvas drops…

Ray arrived wearing monochromatic greys and everything just meshed…

Nice, but the Black & White was even more dramatic…

After a few minutes, we quickly switched to another location about 15 feet from the first. It was a painted wall that was due to be demolished shortly, but would be perfect as a backdrop for a second portrait…

A little color and contrast tweaking, and we were ready to go…

Here’s how things looked in the Times of London…

Going Downtown With Petula Clark

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Petula Clark…an 85 year-old, still touring, Honest-to-God, 100% Legend…and Kat Malott at the Wall Street Journal asked me to shoot her! As a kid, I remember my Mom playing Pet Clark records until they were almost worn out. When she was on Ed Sullivan or the Dean Martin show, the whole family would be locked in front of the TV. This shoot brought back so many memories from when I was young. It was just great…

Kaz an I walked into the studio and were met with a wall of windows throwing all kinds of cool shadows…

Sure…why not?!!

Next, I pulled out a dark blue canvas drop…

…which let me get a little more dramatic and played off nicely with the blue top she wore to the studio…

And finally, I kinda wanted to do an homage to a very famous portrait of Christine Keeler shot by David Bailey Lewis Morely from the 60’s…

…only brighter…

Maybe not that bright…

When Petula saw what we had set up, she remarked, “This is just like that famous photo of Christine Keeler by David Bailey!”

Here’s how it looked in the Wall Street Journal

Thanks for the memories, Pet…