Mary Higgins Clark For The Wall Street Journal

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I recently got to spend an afternoon overlooking Central Park in the pied-à-terre of iconic author Mary Higgins Clark. She had just published her 37th novel…which, as usual, entered at the Bestsellers List at #1…and Alexandra Wolfe was featuring her for the ‘Weekend Confidential’ column. Here’s how it went…

When I described the apartment as a pied-à-terre, I wasn’t kidding. Her main residence is an estate in New Jersey, but the Central Park apartment is just a small one-bedroom she uses in the city, but it was impeccably designed and offered us a few options. We started with a simple setup in front of a painting her children commissioned of their mother 30 years earlier. And for the lighting, it was equally simple…just a 7′ umbrella with a black Gobo to cut the light on the upper corner…

For a second portrait, we just turned the camera towards the windows facing the park and swung the light…

As nice as Kaz looked, Mary’s ensemble worked a little better…

And that proved to be what the Journal was looking for…

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Director Ramin Bahrani For Variety

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Director Ramin Bahrani just remade the classic Ray Bradbury novel, Fahrenheit 451, for HBO…and I got the call from Jennifer Dorn at Variety to shoot him for this weeks issue. Kaz and I packed up the bus and headed downtown to HBO in midtown and here’s how things turned out…

First, we set up my favorite cement wall drop from Gravity Backdrops for kind of a raw look…

Pretty simple lighting setup…just an 8″ fresnel spot with a couple of 5′ umbrellas for a soft wall of fill…

…for a natural sunlight look…

But when Ramin arrived and we saw him dressed all in black, we decided to to crush the shadows and darken things for a more menacing overall appearance…

On the other side of the room we dropped a medium grey seamless…

Once again, a little more contrast and a bit less shadow detail helped a lot…

But the Black & White set the mood…

Here is the finished story in Variety

Kurt Andersen For The Village Voice

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As the Village Voice ends it’s 62 year run as New York’s best alternative newspaper in a couple of weeks, I was given a last opportunity to contribute one more portrait session to the time capsule. Photo Editor Andrea Maurio asked me to meet author, editor, radio host and Bon Vivant Kurt Andersen in a park in Brooklyn…here’s how it went…

Setting up under the trees…

Kaz under ambient light, overcast…I sure hope that Sun pops out…

Add the 3′ Profoto RFI…

Insert subject, press the button…

Kurt was on a tight schedule, but for a quick second shot we just had to turn the camera 45 degrees South for this view under a row of trees…

Kale Friesen was also helping out that day…he got to be Macbeth Boy…

This was OK…

…but I told Kale to go grab one of the cafe chairs we saw on the other side of the park…

That did it.

Here’s how it looks in print…

And you can read the story online HERE

The Voice has two weeks to go in it’s print life. Go out and pick up a copy while you still can.

Nick Murphy AKA Chet Faker

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I recently got to spend a day with Australian singer/songwriter Nick Murphy, better known by his stage name, Chet Faker. The Sydney Morning Herald was doing a cover story for their Sunday magazine that talked about his new album and how he was going to use his real name after five years as Faker. Tegan Sadlier, the photo editor at the Herald, and I tossed around a bunch of ideas before deciding on “Will The Real Nick Murphy Please Stand Up?” as our cover headline. More on that later, but here’s how the shoot went…

I have long had Ruby Bird Studios in Greenpoint on my radar, but haven’t had the right subject to take advantage of the wonderful grunge they have to offer…Nick was that subject! The old warehouse on the Brooklyn waterfront was made for a day of rock star portraits…

While studio 520 can hardly be described as a daylight space, it does have a cool casement window…

…that with minimal lighting (one big umbrella directly over Nick’s head) made for a nice, moody start…

Just to the left of the window was a beat up old sliding metal door that I liked for some tight portraits…

To the right of the window was an even more interesting door, but this one was recessed in a brick wall that would make for a frame around Nick…

…and that furry green coat…perfect!!!

Finally, for our cover concept…I convinced Tegan I could do a multiple image photo of Nick in different positions, wearing different outfits, to illustrate the ‘Will The Real Nick Murphy Please Stand Up?’ idea…

This wall was our base…

Next, we had to place our ‘Nicks’ in different spots in the frame…

And when that was done, all that was left was for me to spend a day at the computer making a group shot…with the ‘real’ Nick standing up!

…and here’s our final cover…

The 2017 Barron’s Roundtable

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When January rolls around, one constant for the past decade has been the crew from Damn Ugly Photography has gotten to load a couple of thousand pounds of gear into a small room at the Harvard Club to shoot the members of the annual Barron’s Round Table. The basic formula is always the same. We start shooting at 8:00AM as the folks arrive. We have to shoot them separately since we need to be able to move each person around into whatever situations we’ve cooked up…and we have to be completely finished by 10:00AM since that’s when their all-day meeting begins. In that time we have to come up with images that will run on three consecutive covers in January, plus the cover for the mid-year report in June, as well as inside feature photos for all issues. Easy, right?!!

Adrian DeLucca and I wanted this year’s theme centered on the year itself…2017…and we came up with the idea to place the Roundtable members into the year 2017. To do that, I had to come up with the perfect 2017. I always liked the numbers on the Damn Ugly World Headquarters building…

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So that seemed like a good place to start. I found similar numbers and went about shooting them…

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But the silver seemed too passive…red spray paint was definitely called for…

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Numbers…done. Now onto the moving parts. Our setup this year was actually much simpler than previously years. We only had two separate sets, one for the January issues and a second for the midyear.

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I had a couple of 2017 ‘cheats’ taped to the gobos on our main set to help me keep track of where to place people…

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Everything got dialed in pretty quickly (that ripped seamless in the background is a teaser for the midyear cover, so I can’t say any more about that for a while) and we were ready to get started.

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Makeup artist Margina Dennis, Kaz playing digital tech and Adrian looking happy…

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Kaz holding up Brian Rogers…

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Oscar Schafer shooting Jeff Gundlach…

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To get people into the correct positions, we used a few very simple props. Brian had to lean into the ‘1’…

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Mario was standing inside the ‘0’…

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Abby was holding up the ‘7’…

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And Oscar would be laying back into the ‘7’ for the Week 3 cover…

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After a few days at the computer, here’s how things turned out…

Week One Cover and Inside Opener…

The 2016 Barron's Roundtable

The 2016 Barron's Roundtable

Week Two Cover and Inside Opener…

The 2016 Barron's Roundtable

The 2016 Barron's Roundtable

Week Three Cover and Inside Opener…

The 2016 Barron's Roundtable

The 2016 Barron's Roundtable

And finally, here are the printed pages…

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The Human Face of Big Data – The Book & the Film…

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I got an email this afternoon reminding me that ‘The Human Face of Big Data’Rick Smolan’s look at how the rapid emergence of digital devices is affecting our lives…will be airing tonight at 10:00PM Eastern on PBS (check local listings). And that reminded me that I actually did one of the shots that was featured in the book. Rick had me shoot Josh Koppel, the CEO of ScrollMotion…an App developer that has created mobile content for most of the world’s largest publishers. ScrollMotion basically ‘teaches’ Old Media how to use New Media. The funny thing is that when you enter their offices, it’s like going to a museum of Pre-Digital Technology! Every single inch of the wall space is filled with magazine cover, record albums, movie posters and newspaper clippings…

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…and especially Josh’s office…

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My mission was clear…show what the place was like and the rest would fall in place. We figured that couch with the wall full of Nostalgia behind it was the place to start. Since Josh lives on his iPad, I wanted to play that off the wall of old printed material. But I needed to make the iPad the hero. It kind of had to be the focal point of the photo. It had to shine…and I had just the right thing…my little battery powered Morris Mini Slave units…

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The Mini Slaves are small…really small…and if he held one in his hand at just the right angle it would appear that the iPad was lighting his face while also giving me a nice halo-glow. This is how we set it up…

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I did a lot of cross-filtering with CTO and CTB tells to add to the mood. The Ring Light and Mini Slave were both wrapped in blue, while the beauty dish had a full CTO to warm up his skin and the wall behind him. There was a huge wall of windows on the left side that also let a lot of cool, blue light in. My first test was kind of right on…

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Once we added Josh to the shot, all we had to do was get him to master holding the Mini Slave in the right place…

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Here’s the final image in the book…

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So anyway…you should check out the documentary tonight…watch the trailer here:

Josh Koppel - Chief Creative Officer, ScrollMotion

Drinking A Few Beers With DW Gibson

DW Gibson

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DW Gibson is a writer and journalist whose work appears in publications like the Washington Post, the New York Times, New York Magazine, the Village Voice & The Daily Beast and is also a contributor to NPR’s All Things Considered. And over the past few years, he’s written extensively about New Yorkers who’ve been affected by gentrification. Here’s a little behind the scenes of my shoot for WirtschaftsWoche…one of my European clients…when they asked if I could shoot him in his own rapidly gentrifying neighborhood in Brooklyn…

Kaz and I started with a pretty simple setup in between DW’s house and his next door neighbors. I liked the way the design of the houses showed the type of architecture the neighborhood was comprised of, and it also allowed me to do one of my ‘Artificial Portraits’, since my editor at WiWo had specifically asked me to do at least one setup that showed my lighting kit…

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DW Gibson

Did I mention it was about 100 degrees the day we were shooting? DW was very gracious and offered beer to keep us cool…

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Next, we crossed the street for a couple of portraits against a brick wall…

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DW Gibson

DW Gibson

…and finally finished off with some views of his street…

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DW Gibson

…which opened our story…

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