Ricky Gervais & Kermit’s Evil Twin for the London Sunday Times Magazine

Ricky Gervais & Constantine the Muppet

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Ricky Gervais. In New York. For the London Sunday Times Magazine. And it was one of the most fun shoots of my entire career.

Adam Hearn is the photo editor of the London Sunday Times Culture Magazine and some of the other folks I work for at the Times recommended he give me a call next time he had a shoot on this side of the Atlantic. I am so happy he did, cuz not only am I a BIG fan of Ricky, but I had just lost out on a shoot with him for another client only a week before Adam called. The story was tied to his new film, “Muppets Most Wanted”, and would feature the other star of the movie, Constantine the Frog, the world’s “Number One” criminal and a doppelgänger of Kermit the Frog. Adam kept it fairly open-ended as to what we could do…he just needed fun interaction between Ricky and Constantine for the cover and left the rest up to me. With that in mind, I went on a mad tear of propping…

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…dragged my crew down to Industria on a Saturday morning and let Mr. Gervais and Mr. Frog do all the heavy lifting. Here’s how it went…

Ricky and I talk to Matt Vogel…the Muppeteer behind Constantine…about a few ideas…

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…and even before we start, the fun begins…

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Here are some behind-the-scenes shots of how you photograph a Man and his Muppet…

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One of the best things about the whole day was having Ricky’s input as we went along. He came up with so many great ideas of what would look good, that I just had to keep my finger on the shutter and wait for things to happen!

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Ricky Gervais & Constantine the Muppet

Ricky Gervais & Constantine the Muppet

Ricky Gervais & Constantine the Muppet

Ricky Gervais & Constantine the Muppet

Then Ricky suggested they each pose with sunglasses…

Ricky Gervais & Constantine the Muppet

…and our cover was in the bag!

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After a quick background & wardrobe change, the two A-Listers were suddenly at each others throats…

Ricky Gervais & Constantine the Muppet

…but a left-cross from the Frog ended that argument…

Ricky Gervais & Constantine the Muppet

…and gave us the opener to the story!

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I also wanted to to shoot Ricky, sans Frog, but had picked up a few Froggy bits and pieces to stick with the theme, including a t-shirt with strategically-placed eyeballs…

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…and a very special pair of Kermit Adidas that Ricky put to good use…

Ricky Gervais & Constantine the Muppet

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Finally, I wanted to cool things down a bit, so I had Ricky get into his trademark black…and accessorized him with some very blingy fuzzy Frog Slippers…

Ricky Gervais & Constantine the Muppet

Ricky Gervais

Then we both kicked back and enjoyed a Green Drink…

Ricky Gervais & Constantine the Muppet

And yes…that is a Karl Pilkington t-shirt. I told you I was a big fan!

Behind The Scenes For American Lawyer

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Maggie Soladay, Photo Editor at American Lawyer, recently had us shoot the cover feature for their annual Associates Survey. The cover image had to convey the rather subtle idea that female associates gave their firms lower marks than the male associates did in many areas on the survey. Here’s a little taste of how it went…

For the cover, I wanted to use a color that immediately grabbed the reader’s attention and Art Director Morris Stubbs was on board, especially after seeing what I did with Bill O’Reilly a few months ago…so we pulled out the orange seamless and went to work.

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As you can see in the lighting diagram, I kept things fairly simple, but I wanted to light our models (Jo Quiles and Johnny Tyrone) with two separate main lights…20″ Profoto Beauty dishes with 25 degree grids…in such a way to add to the drama. The male associate had to be in a hero light…something that would make him more prominent in the photo, while the female associate was lit slightly from below to give off a more menacing vibe. Not exactly ‘monster lighting’, but just enough to not come off as a wash of soft light. Other than the dish reflectors, I added a ringlight with the soft reflector to give a sheen to their suits.

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Then we backed up the orange set with a similar look on blue…

American Lawyer - Associates

Next, we moved on to the inside look…

American Lawyer - Associates

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To illustrate the idea of a law associate moving out of the shadows and stepping into the spotlight, I literally pulled out my modified Desisti spotlight for the task…

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I positioned the Desisti directly behind and above my camera and cut the light with two cards on either side that gave me a exact slash of light I wanted. A little pop from the ringlight filled in the shadows just enough without throwing a ringlight-effect shadow…

American Lawyer - Associates

The resulting image opened the story…

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…and all was right with the World…

American Lawyer - Associates

Behind The Scenes At The Most Expensive Barron’s Roundtable Yet

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We here at Damn Ugly Photography have done many, many, many Barron’s Roundtable shoots over the years, but this time we came close to breaking the bank…literally! Our cover idea was to have the members of the Roundtable rockin’ Chef Props as they cooked up the perfect economic recipe for the coming year, and for our ‘ingredients’ we needed cash…lots and lots of cash

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Since Photoshop has added high-tech security filters that make it almost impossible to scan money and print it out…and prop money looks way too fake…we decided to hit my bank and just get real cash (that’s about $30 Grand in the bag) to use in our recipes…

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The basic cover setup was a raised plexiglass platform that I could shoot from both a low angle for the cover image, and from slightly above for the inside compositions for the Week Two & Week Three images…

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Hasselblad H1/50mm f4.0 with a Leaf Aptus 33 for the cover and the 5DmkII/24-70mm f2.8 for the higher-angle inside shots…

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As in previous years, we have only two hours to shoot everybody…all separately as they arrive at The Harvard Club for the meeting…on two different sets, and we must come away with two covers (for the January and June Mid-Year issues), two inside openers for those covers, two feature openers for the second and third week follow-up issues and individual shots of each person for the June Mid-Year issue. In those two hours we try to cram in as many different poses and props as possible so we have enough to work with when it comes to assembling the final group shots. Here’s some of the fun…

Marni worked her super-fast makeup magic on everyone before they got on set…

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Oscar Schafer…

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Brian Rogers…

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Fred Hickey…

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Abby Joseph Cohen…

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Scott Black…

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Adrian and I liked the idea of placing everyone on the edge of a mountaintop made from a butcher block cutting board and viewing them from below…

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…so once I shot a bunch of angles on the board, we had all the raw materials in place. Now it was up to me to assembly the individual shots into our cover and feature opening photos…

The 2013 Barron's Roundtable

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The 2013 Barron's Roundtable

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This stuff never gets old!

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Stay tuned next week and you’ll see what we did with all that cash once Barron’s runs the Week Two and Week Three images…

The Doctor Will See You Now – Sanjay Gupta For Prevention Magazine

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It took a while, but my friend Marybeth Dulany finally called me with a gig over at Prevention Magazine. I used to work for Marybeth a lot back in the days of ‘Rosie’ magazine, but once that folded she moved on to ‘Health’ where my particular style wasn’t a good fit. She ended up at Prevention last year and now she had something kinda cool…a profile of Dr. Sanjay Gupta for the July issue. The Damn Ugly crew made the trip down to Industria and here’s a bit of our day with the Doctor…

We started with a white setup for some cover stuff. Cate Sheehy was styling…

…and Marni Burton handled makeup…

We even did a bit of off-set/artificial portrait stuff that made it into the story…

I also set up a canvas backdrop that had a nice, terra cotta look to it…

I got to use my new 5-foot PLM umbrella for the first time…what a great light! I was really impressed at the quality of light and how large the coverage was. It was set up about 15 feet away from the subject and kicked out an open, but still contrasty light that gave me a wonderful shadow.

Finally, since it was such a nice day, Marybeth asked if we could do a few outdoor shots, so we fired up a 600-B and hit the street…

Marybeth was very happy…

And here are the final pages…

Soccer by the Pool with Olympian Megan Rapinoe

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Stacey Pleasant offered me a fun gig a few weeks ago. She produces a series of advertorials for McDonald’s that runs in Sports Illustrated and they wanted me to shoot Megan Rapinoe, a mid-fielder on the United States women’s national soccer team that’s going to London for the Olympics. Megan was gonna be in town doing some P/R and had very little time available for a shoot, so Stacey arranged to do everything at her hotel, the Dream Downtown. The advertorials are single-page interviews with the athletes and formatted in such a way that there has to be a lot of clean space around the person in order to run the type over the background. For our purposes, the options for locations at the hotel were limited, but we were offered the swimming pool area. Both Stacey and I figured using the pool as a clean backdrop would work perfectly for the type…but we didn’t know about one of the main design features of the Dream’s pool…

Portholes!!! Hundreds of little (and a few BIG) portholes at the bottom of the pool! Well…we were locked into the location, so I was just gonna hafta deal with that later…right now we had to start shooting!

While Marni worked on Megan…

Ben stood in so we could pick an angle on that pool, but without the sun things were looking kinda flat…

Megan’s a pro…she immediately understood the Damn Ugly Photography aesthetic…

And as if by magic…a few frames into the shoot the Sun came out…and all was right with the World. We decided to still keep the full-CTO filtered bare head we set up for a Sun-like skim camera left, ‘cuz it added a nice warmth to the highlight created by the real Sun…

But as good as that looked, I still had to deal with all those portholes…a few hours and a lotta mouse-clicks later, and the shot was now ready for type…

The final page…

With the pool shot in the can, I pressed for a couple of minutes more to do a second shot. Immediately to the left of the pool was a wall clad in Stainless-Steel that could be kinda nice. The natural light was a little flat, so we threw on the ringlight which gave us a hot highlight that ran vertically through the middle of the shot…

That looked like Hell, but once we got the available/strobe balance down, we had a little fun…

The final image…and that ringlight added a nice, smoky highlight rising off of her…

The issue hit the stands this week. Good luck in London, Megan!